Difference between revisions of "Cracked Mirror"

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== Subject ==
 
== Subject ==
 
A group of five black mineworkers debate the issues of racism, intolerance and xenophobia, while doing back-breaking underground work and performing energetic dance routines, about a newly democratic South Africa, a place “Where men have to compete for women, jobs and their next meal, scapegoats will be found and you best not have a strange accent, a slightly darker skin or hopes for a new life in a foreign country” (Hollands, 2002). [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms] p. 111
 
A group of five black mineworkers debate the issues of racism, intolerance and xenophobia, while doing back-breaking underground work and performing energetic dance routines, about a newly democratic South Africa, a place “Where men have to compete for women, jobs and their next meal, scapegoats will be found and you best not have a strange accent, a slightly darker skin or hopes for a new life in a foreign country” (Hollands, 2002). [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms] p. 111
 
 
  
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==

Revision as of 10:10, 25 February 2014

A play by Buntu Mahola, premièred in 2002, directed by the playwright.

Subject

A group of five black mineworkers debate the issues of racism, intolerance and xenophobia, while doing back-breaking underground work and performing energetic dance routines, about a newly democratic South Africa, a place “Where men have to compete for women, jobs and their next meal, scapegoats will be found and you best not have a strange accent, a slightly darker skin or hopes for a new life in a foreign country” (Hollands, 2002). [Van Heerden (2008)][1] p. 111

Performance history in South Africa

Premièred on the main programme of the 2002 Grahamstown Festival, directed by the author.

Translations and adaptations

Sources

Go to ESAT Bibliography

[Van Heerden (2008)][2]

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