Difference between revisions of "Ga-Mchangani"
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| − | Essentially focused on xenophobia, also deals with a number of other social issues like gang violence, rape, child abuse and criminality. After the premiere production the reviewer of [[The Sowetan]] noted, “While the country is firmly gripped by politically correct customs and notions about the Rainbow Nation, ''[[Ga-Mchangani]]'' exposes the tribalism still prevalent in black communities. ... The play deals with stereotypes and people who tend to regard certain ethnic groups as outcasts” (Mokoena, 1998). [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms] | + | The heart-rending if hilarious exploits of a new Joburger who seems to have been born on the wrong side of the tracks as Joburg's black community is concerned. Mchangani arrives in Joburg with high hopes for a better life, only to become the victim of his neighbours' prejudice and the butt of their practical jokes. His dreams are shattered and his hopes end in tatters. ''[[Ga-Mchangani]]'' is a journey of laughter and tears as we follow the tragic-comic life of Mchangani. (Artslink) |
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| + | Essentially focused on xenophobia, also the play deals with a number of other social issues like gang violence, rape, child abuse and criminality. After the premiere production the reviewer of [[The Sowetan]] noted, “While the country is firmly gripped by politically correct customs and notions about the Rainbow Nation, ''[[Ga-Mchangani]]'' exposes the tribalism still prevalent in black communities. ... The play deals with stereotypes and people who tend to regard certain ethnic groups as outcasts” (Mokoena, 1998). [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms] | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
Revision as of 07:58, 25 February 2014
Drama by Obed Baloyi, first performed in 1998.
Contents
Subject
The heart-rending if hilarious exploits of a new Joburger who seems to have been born on the wrong side of the tracks as Joburg's black community is concerned. Mchangani arrives in Joburg with high hopes for a better life, only to become the victim of his neighbours' prejudice and the butt of their practical jokes. His dreams are shattered and his hopes end in tatters. Ga-Mchangani is a journey of laughter and tears as we follow the tragic-comic life of Mchangani. (Artslink)
Essentially focused on xenophobia, also the play deals with a number of other social issues like gang violence, rape, child abuse and criminality. After the premiere production the reviewer of The Sowetan noted, “While the country is firmly gripped by politically correct customs and notions about the Rainbow Nation, Ga-Mchangani exposes the tribalism still prevalent in black communities. ... The play deals with stereotypes and people who tend to regard certain ethnic groups as outcasts” (Mokoena, 1998). [Van Heerden (2008)][1]
Performance history in South Africa
In 1998 the theme of xenophobia was brilliantly explored in Obed Baloyi's Ga-Mchangani, a community theatre project that became a hit production at the 1998 Market Theatre Laboratory Community Theatre festival and in 2004 the piece was converted to a mainstream production directed by Arthur Molepo and revived for a 10th Year of Democracy season in the Laager at the Market Theatre.
Translations and adaptations
Sources
Go to ESAT Bibliography
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