Sefton Parry

(1832 – 18 December 1887) Actor, Theatre Manager and Producer. Born Sefton Henry Parry in England, the youngest member of a theatrical family. A man of remarkable versatility, who could paint scenery, cut out dresses, and do stage-carpentering, he travelled, with a small company, playing the empire and visiting various parts of the world, including Australia, accompanied by his wife and a young female dancer, picking the rest of the cast from members of local amateur dramatic clubs.

Life in Cape Town

He arrived in the Cape in June 1855, ostensibly for a stopover on the way home to England from Australia, where he had been lionised. In his first performances in 1855, supported by the Garrison Amateur Company, he definitely did not disappoint, and received a rapturous welcome, which persuaded him to stay at the Cape a little longer. Indeed, he postponed his return to England a number of times and gave some more performances, working with local amateur groups, notably the Cape Town Dramatic Club, but left after two months. However he returned in 1857 with a professional British theatre-company. When he broke away from the Cape Town Dramatic Club in 1860 to form the Alfred Dramatic Club as a professional venture, he effectively established the first regular professional theatre-company in South Africa. (After the success of The Irish Tutor in 1860, visiting Prince Alfred bestowed his name upon them, and henceforth they were known as the Royal Alfred Dramatic Club.) In the same year Parry had the Theatre Royal built in Harrington Street, Cape Town. It opened on 9 August 1860. From 1861 till 1863 Parry and his company utilized its stage. He returned to London in 1863 and the theatre was closed in 1865**.

Life after the Cape Town period

Having made some money on his travels, he returned to England and became engaged in the construction of several London theatres, including the first of the new theatres, the Holborn Theatre (opened on 6 October 1866), the Globe Theatre in Newcastle Street, Strand (1868), the Avenue Theatre (1882). and the Greenwich Theatre. He was also the proprietor of theatres at Hull and Southampton.

He wrote The Bright Future, a drama produced at the opening of the Grand Theatre, Islington, on 4 August 1883.

He died at Cricklewood Lodge, Middlesex, in 1887, aged fifty-five, and was buried in Old Willesden churchyard. He left a widow, son, and daughter.

Productions in South Africa

First production

His first production at the Cape consisted of Used Up, or The Peer and the Ploughboy (Boucicault), with a musical interlude and the screaming farce Family Jars (Lunn) as afterpiece. This was done on Wednesday 13 June 1855, in a Drawing Room Theatre which he quickly constructed in the Commercial Rooms in Cape Town.

Other productions by Parry and his company

The First Cape Town season (1855)

Little Toddlekins (Charles Matthews) and Seeing Parry (Tuesday 17 June (?) 1855);

Delicate Ground (Dance), Monsieur Jacques (Barnett) and Domestic Economy (Lemon) (Monday 2 July 1855);

A benefit performance announced for J.R. Taylor: Monsieur Jacques (Barnett) and Used Up, or The Peer and the Ploughboy (Boucicault) (Originally announced for Monday 9 July 1855, but postponed to make way for the patriotic Fund production)

A benefit performance for the Patriotic Fund: A Capital Match (J.M. Morton),Monsieur Jacques (Barnett) and the laughable farce Cockney in Corsica (Friday 13 July 1855);

Farewell performance: A Phenomenon in a Smock Frock (Brough), The Lottery Ticket (Beazley) and Buried Alive, or The Visit to Japan (M'Pherson) (Thursday 26 July 1855)

All these productions took place in the Drawing Room Theatre, which Parry had constructed in the Commercial Rooms.

Sources

http://en.wikipedia.org/wiki/Sefton_Henry_Parry

Du Toit, 1988;

Bosman, 1928, pp. 428-434;

Bosman, 1980, pp.

Fletcher, 1994

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