Difference between revisions of "L.A. Rouvière"

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(Created page with "(17**-18**) Dancer and performer. A member of C.E. Boniface's Honi Soit qui Mal y Pense. Was one of the ballet dancers in their production of ''De Burger Edelman''...")
 
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(17**-18**) Dancer and performer. A member of [[C.E. Boniface]]'s [[Honi Soit qui Mal y Pense]]. Was one of the ballet dancers in their production of ''[[De Burger Edelman]]'' on 28 May 1825, and danced the role of a young man in both ''[[De Vrouw]]'' (by Pixérecourt) and ''[[The Liar]]'' (Foote) on 15 October 1825.
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Mr [[J.P. Rouvière]] (17**-18**) was an [[Amateur|amateur]] Cape Town performer in the 1820s. (Also referred to as Mr [[J. Rouvière]] on occasion.)
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== Contribution to South African theatre and performance ==
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A member of [[C.E. Boniface]]'s company [[Honi Soit qui Mal y Pense]].  
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He danced as one of the ballet dancers in their production of ''[[De Burger Edelman]]'' (28 May 1825), as one of the "Jonge Heeren" ("young men") in ''[[La Femme à Deux Maris|De Vrouw met Twee Mannen]]'' (15 October, 1825),  as well as the ''Corps de Ballet'' of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.
  
 
== Sources ==
 
== Sources ==
  
Bosman, 1928: p 282, 295-7   
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[[F.C.L. Bosman]], 1928[http://www.dbnl.org/tekst/bosm012dram01_01/]: p 282, 295-7.  
  
 
Go to [[South African Theatre/Bibliography]]
 
Go to [[South African Theatre/Bibliography]]
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== Return to ==
 
== Return to ==
  
Return to [[ESAT Personalities T]]
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Return to [[ESAT Personalities R]]
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Revision as of 06:08, 16 June 2015

Mr J.P. Rouvière (17**-18**) was an amateur Cape Town performer in the 1820s. (Also referred to as Mr J. Rouvière on occasion.)

Contribution to South African theatre and performance

A member of C.E. Boniface's company Honi Soit qui Mal y Pense.

He danced as one of the ballet dancers in their production of De Burger Edelman (28 May 1825), as one of the "Jonge Heeren" ("young men") in De Vrouw met Twee Mannen (15 October, 1825), as well as the Corps de Ballet of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.

Sources

F.C.L. Bosman, 1928[1]: p 282, 295-7.

Go to South African Theatre/Bibliography

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Return to ESAT Personalities R

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