Difference between revisions of "Jim comes to Jo’burg"

From ESAT
Jump to navigation Jump to search
Line 10: Line 10:
 
    
 
    
  
−
The name of this film came to be used as al(slightly denigrating) reference to a recurring theme in South African novels, plays and films dealing with the black experience. It derives from the 1950 film of that name , but has its most compelling example the canonical novel ''[[Cry, the Beloved Country]]'' by [[Alan Paton]] (which itself has seen three film versions made, plus a number of dramatized versions, over much of the 20th century). In brief it follows the experiences (usually negative) of a rural character who comes to the city, and often deals with the tension between rural and urban life, customs and mores. In theatre it is a constant recurring theme, from the early works of [[H.I.E. Dhlomo]] and others, to the musicals of the sixties and even the protest theatre of the 1970’s and 1980’s. It is of course a specific example of the more general theme of urbanization, which is equally prominent in white South African writing, and especially [[Afrikaans]] writing. (See for example the famous novels about a character named ''[[Ampie]]'' by [[Jochem van Bruggen]], which were also dramatized.)
+
The name of this 1950 film came to be used as a (slightly denigrating) reference to a recurring theme in South African novels, plays and films dealing with the black experience. It derives from the 1950 film of that name , but has its most compelling example the canonical novel ''[[Cry, the Beloved Country]]'' by [[Alan Paton]] (which itself has seen three film versions made, plus a number of dramatized versions, over much of the 20th century). In brief it follows the experiences (usually negative) of a rural character who comes to the city, and often deals with the tension between rural and urban life, customs and mores. In theatre it is a constant recurring theme, from the early works of [[H.I.E. Dhlomo]] and others, to the musicals of the sixties and even the protest theatre of the 1970’s and 1980’s. It is of course a specific example of the more general theme of urbanization, which is equally prominent in white South African writing, and especially [[Afrikaans]] writing. (See for example the famous novels about a character named ''[[Ampie]]'' by [[Jochem van Bruggen]], which were also dramatized.)
−
 
 
  
 
== Sources ==
 
== Sources ==

Revision as of 07:46, 3 February 2013


The film

A film by ** (1950).


As an expression

The name of this 1950 film came to be used as a (slightly denigrating) reference to a recurring theme in South African novels, plays and films dealing with the black experience. It derives from the 1950 film of that name , but has its most compelling example the canonical novel Cry, the Beloved Country by Alan Paton (which itself has seen three film versions made, plus a number of dramatized versions, over much of the 20th century). In brief it follows the experiences (usually negative) of a rural character who comes to the city, and often deals with the tension between rural and urban life, customs and mores. In theatre it is a constant recurring theme, from the early works of H.I.E. Dhlomo and others, to the musicals of the sixties and even the protest theatre of the 1970’s and 1980’s. It is of course a specific example of the more general theme of urbanization, which is equally prominent in white South African writing, and especially Afrikaans writing. (See for example the famous novels about a character named Ampie by Jochem van Bruggen, which were also dramatized.)

Sources

Return to

Return to South_African_Films

Return to South African Theatre Terminology and Thematic Entries

Return to The ESAT Entries

Return to Main Page

Retrieved from "https://esat.sun.ac.za/index.php?title=Jim_comes_to_Jo’burg&oldid=37288"