Difference between revisions of "Megan Kruskal"
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| − | KRUSKAL, Megan. (197*-) Actress. Born in Cape Town, trained at the [[University of Cape Town Drama Department]]. Her first major role was creating and performing the original ''Ruth”''in Sophiatown by [[Junction Avenue Theatre Company]]. ***, Megan. She starred in David Mamet’s ''[[Speed the Plow]]'' at [[Upstairs at the Market]] in 1990. *** (Tucker, 1997) KRUSKAL, Megan, trained UCT, [[Glass Theatre]] with [[Tjaart Potgieter]] & [[Chris Pretorius]],. ''[[The Tempest]]'', [[Maynardville]] - dir: [[Ken Leach]]; ''[[Playing | + | KRUSKAL, Megan. (197*-) Actress. Born in Cape Town, trained at the [[University of Cape Town Drama Department]]. Her first major role was creating and performing the original ''Ruth”''in Sophiatown by [[Junction Avenue Theatre Company]]. ***, Megan. She starred in David Mamet’s ''[[Speed the Plow]]'' at [[Upstairs at the Market]] in 1990. *** (Tucker, 1997) KRUSKAL, Megan, trained UCT, [[Glass Theatre]] with [[Tjaart Potgieter]] & [[Chris Pretorius]],. ''[[The Tempest]]'', [[Maynardville]] - dir: [[Ken Leach]]; ''[[Playing With Fire]]'' (Strindberg) [[Dieter Reible]]., ''[[Exit the King]]'', ([[Chris Pretorius]]’s production of ''[[The Duchess of Malfi]]'' (Sub-titled: The eclipse of Reason), [[Tjaart Potgieter|Tjaart]]’s ''[[The Vegetable Woman]]'' or [[Meditations on Blake & The Minotaur’s Sister]]'' (An adaption of Euripides’s ''[[Hippolytus]]'') also [[Aletta Bezuidenhout]]; 1985. |
Revision as of 10:06, 11 August 2014
KRUSKAL, Megan. (197*-) Actress. Born in Cape Town, trained at the University of Cape Town Drama Department. Her first major role was creating and performing the original Ruth”in Sophiatown by Junction Avenue Theatre Company. ***, Megan. She starred in David Mamet’s Speed the Plow at Upstairs at the Market in 1990. *** (Tucker, 1997) KRUSKAL, Megan, trained UCT, Glass Theatre with Tjaart Potgieter & Chris Pretorius,. The Tempest, Maynardville - dir: Ken Leach; Playing With Fire (Strindberg) Dieter Reible., Exit the King, (Chris Pretorius’s production of The Duchess of Malfi (Sub-titled: The eclipse of Reason), Tjaart’s The Vegetable Woman or Meditations on Blake & The Minotaur’s Sister (An adaption of Euripides’s Hippolytus) also Aletta Bezuidenhout; 1985.
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