Difference between revisions of "Wayne Muller"
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[[Wayne Muller]] is a music and opera researcher. | [[Wayne Muller]] is a music and opera researcher. | ||
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| + | == Biography == | ||
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| + | ==Contribution to SA theatre, film, media and/or performance== | ||
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| + | == Sources == | ||
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==Biography== | ==Biography== | ||
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[[Wayne Muller]]. 2019. "How South Africans forged a path to making opera truly African", | [[Wayne Muller]]. 2019. "How South Africans forged a path to making opera truly African", | ||
''[[The Conversation]]'', January 29, 2019[https://theconversation.com/how-south-africans-forged-a-path-to-making-opera-truly-african-110516] | ''[[The Conversation]]'', January 29, 2019[https://theconversation.com/how-south-africans-forged-a-path-to-making-opera-truly-african-110516] | ||
| + | Go to the [[ESAT Bibliography]] | ||
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| + | == Return to == | ||
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| + | Return to [[ESAT Personalities M]] | ||
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| + | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
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| + | Return to [[The ESAT Entries]] | ||
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| + | Return to [[Main Page]] | ||
Revision as of 05:55, 24 July 2024
Wayne Muller is a music and opera researcher.
Contents
Biography
Contribution to SA theatre, film, media and/or performance
Sources
Biography
He did his doctorate in 2018 on A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015).
He is a research fellow and publications editor at the Africa Open Institute for Music, Research and Innovation at Stellenbosch University.
Sources
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
Wayne Muller. 2019. "How South Africans forged a path to making opera truly African", The Conversation, January 29, 2019[1] Go to the ESAT Bibliography
Return to
Return to ESAT Personalities M
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
