Difference between revisions of "Wayne Muller"
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==Sources== | ==Sources== | ||
| + | [[Wayne Muller]]. 2019. "How South Africans forged a path to making opera truly African", | ||
''[[The Conversation]]'', January 29, 2019[https://theconversation.com/how-south-africans-forged-a-path-to-making-opera-truly-african-110516] | ''[[The Conversation]]'', January 29, 2019[https://theconversation.com/how-south-africans-forged-a-path-to-making-opera-truly-african-110516] | ||
[[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | [[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | ||
Revision as of 05:54, 24 July 2024
Wayne Muller is a music and opera researcher.
Biography
He did his doctorate in 2018 on A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015).
He is a research fellow and publications editor at the Africa Open Institute for Music, Research and Innovation at Stellenbosch University.
Sources
Wayne Muller. 2019. "How South Africans forged a path to making opera truly African", The Conversation, January 29, 2019[1]
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
