Difference between revisions of "ESAT Bibliography I"
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Igweonu, Kene (ed.) 2011. ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. With a Foreword and an article by [[Temple Hauptfleisch]], articles by [[Alude Mahali]], [[Patrick Ebewo]], [[Petrus du Preez]] and [[Johann van Heerden]].) | Igweonu, Kene (ed.) 2011. ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. With a Foreword and an article by [[Temple Hauptfleisch]], articles by [[Alude Mahali]], [[Patrick Ebewo]], [[Petrus du Preez]] and [[Johann van Heerden]].) | ||
| − | + | Igweonu, Kene (ed.) 2024. ''Routledge Handbook of African Theatre and Performance''. | |
| − | In gesprek met [[Reza de Wet]]. 1987. ''[[Suid-Afrikaan]]'', 14(10):44-48. | + | ''[[Importance of being Earnest]]''. [dramatic criticism]. 1983. ''[[Scenaria]]'', 35:29-30. |
| + | |||
| + | "In gesprek met [[Reza de Wet]]". 1987. ''[[Suid-Afrikaan]]'', 14(10):44-48. | ||
[[Margaret Inglis|Inglis, Margaret]] 1946. Future of professional theatre in South Africa. ''Outspan'', 38(988):23-25. February 1. | [[Margaret Inglis|Inglis, Margaret]] 1946. Future of professional theatre in South Africa. ''Outspan'', 38(988):23-25. February 1. | ||
Revision as of 05:46, 10 July 2024
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The list
Igweonu, Kene (ed.) 2011. Trends in Twenty-First Century African Theatre and Performance. Amsterdam, Rodopi. With a Foreword and an article by Temple Hauptfleisch, articles by Alude Mahali, Patrick Ebewo, Petrus du Preez and Johann van Heerden.)
Igweonu, Kene (ed.) 2024. Routledge Handbook of African Theatre and Performance.
Importance of being Earnest. [dramatic criticism]. 1983. Scenaria, 35:29-30.
"In gesprek met Reza de Wet". 1987. Suid-Afrikaan, 14(10):44-48.
Inglis, Margaret 1946. Future of professional theatre in South Africa. Outspan, 38(988):23-25. February 1.
Inglis, Margaret 1955. South African theatre: past, present and future. Forum, 3(10):27-30.
Inskip, Donald P. 1939. The University of Cape Town Little Theatre. The South African Theatre, Music and Dance, 1(1), 7, 63.
Inskip, Donald P. 1947. Amateur-toneelspelers vier fees: ‘n beskouing oor die betekenis van die Federasie van Amateur-Toneelverenigings van Suid-Afrika. Huisgenoot. 32 (1336):20-22. Oktober 31.
Inskip, Donald P. 1958. Drama in the university. English Studies in Africa, 1:55-58.
Inskip, Donald P. 1972. Forty Little Years: The Story of a Theatre. Cape Town: Howard Timmins.
Inskip, Donald P. 1976. The Maynardville Chronicle, 1956-1976. Eppng: Printpak.
Inskip, Donald P. 1977. Stage by Stage: The Leonard Schach Story. Cape Town: Howard Timmins.
International Defence and Aid Fund 1977. A new wave of cultural energy: Black Theatre in South Africa. Theatre Quarterly, 7(28):57-62.
International Labour Organisation: Tripartite meeting on conditions of employment and the work of performers. 1993. South African Theatre Journal, 7(2): 77-84.
Interview with Athol Fugard, Port Elizabeth, 30 November 1977. 1980. Theoria, 55: 37-48.
Irvine-Smith, C.C. architects. Witwatersrand university theatre. Architect and Builder, 34(11): 14-19.
Irwin, Kita. 2020. "A theatre project explores collective solutions to saving the ocean", The Conversation, April 6, 2020.[1]
Israel, Connie 2007. Performance as an alternate literacy in South Africa. South African Theatre Journal, 21: 275-291.
Itzhaki, Yedidya 1993. Athol Fugard on the Israeli stage. South African Theatre Journal, 7(1): 62-78.
Iyer, P. 1986. Cries of the silenced (Woza Afrika!). Time, 128:89. Sept 22.
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