Difference between revisions of "Bad Times Mzala"
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An anti-sanctions play, utilizing a township musical style. The play features a character from the ''bundus'' (the wilderness) who is ambitious, courageous and aiming to make it big in the city. He does achieve his goal, but fate catches up with him. | An anti-sanctions play, utilizing a township musical style. The play features a character from the ''bundus'' (the wilderness) who is ambitious, courageous and aiming to make it big in the city. He does achieve his goal, but fate catches up with him. | ||
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| + | In the play, Kente condemned necklacing, petrol bomb attacks and other violence by blacks against fellow township residents. Kente also preaches the power of education and urges reconciliation between opposing township political organisations. The play also had a message advocating human rights. | ||
The play provoked the ire of the [[United Democratic Front]]’s cultural desk. | The play provoked the ire of the [[United Democratic Front]]’s cultural desk. | ||
Revision as of 11:59, 2 February 2024
by Gibson Kente (1932-2004).
Also known as Things Are Bad Mzala.
The original text
An anti-sanctions play, utilizing a township musical style. The play features a character from the bundus (the wilderness) who is ambitious, courageous and aiming to make it big in the city. He does achieve his goal, but fate catches up with him.
In the play, Kente condemned necklacing, petrol bomb attacks and other violence by blacks against fellow township residents. Kente also preaches the power of education and urges reconciliation between opposing township political organisations. The play also had a message advocating human rights.
The play provoked the ire of the United Democratic Front’s cultural desk.
Performance history in South Africa
First produced in 1984/85.
Sources
'The return of Kente'. Mail and Guardian. 10 January 1997
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