Difference between revisions of "H.I.E. Dhlomo"
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He wrote a number of important articles on “African theatre” (see References). | He wrote a number of important articles on “African theatre” (see References). | ||
− | He wrote a considerable body of dramatic theory & criticism | + | He wrote a considerable body of dramatic theory & criticism. |
== Dhlomo as actor and/or director == | == Dhlomo as actor and/or director == |
Revision as of 17:32, 12 October 2023
H.I.E. Dhlomo (1903-1956) was a South African actor, writer, dramatist, director, animator, journalist and cultural theorist.
Contents
Biography
Born Herbert Isaac Ezra Dhlomo at Siyamu, near Pietermaritzburg.
He became a journalist on Bantu World and Ilanga lase Natal. Organiser of the Carnegie Library in Germiston.
In 1933 he founded the Bantu Dramatic Society in Johannesburg, serving as its vice-president for a period.
In 1983 a group of artists, aware of the contribution made by Dhlomo, founded and named a theatre after him: The Dhlomo Theatre (situated a hundred yards from the Market Theatre) It opened on 21 March 1983 with Night of the Long Wake by Dukuza ka Macu.
His biography (The New African: A Study of the Life and Work of H.I.E. Dhlomo) was writtten by Tim Couzens and published in 1985. (See: Couzens, 1985, De Beer, 1995).
Education
Graduated of Amanzimtoti College,
Contribution to SA theatre, film, media and/or performance
Dhlomo as writer
Plays
Dhlomo wrote a number of plays during his lifetime. Only one play - Nonqause: The Girl who Killed to Save - was published in his lifetime (in 1936). It was the first published English play by a black South African. The rest of the plays were only published in 1985 as a collection entitled H.I.E. Dhlomo Collected Works. (Edited by Tim Couzens and Nick Visser)
Dhlomo wrote the following plays in English:
Historical plays:
Nonqause: The Girl who Killed to Save
as well as a play about Shaka
Urban plays:
Ruby and Frank (1939)
Other works
He wrote a number of important articles on “African theatre” (see References).
He wrote a considerable body of dramatic theory & criticism.
Dhlomo as actor and/or director
Directed his brother Rolfes’s “dramatic sketches” for the Emancipation Centenary Celebrations at the Bantu Men's Social Centre in 1934.
Awards, etc
Sources
Tim Couzens. 1985. The New African: A Study of the Life and Work of H.I.E. Dhlomo. Johannesburg: Ravan Press.
Visser and Couzens (eds). 1985. H.I.E. Dhlomo Collected Works. Johannesburg: Ravan Press.
Mona de Beer. 1995. Who Did What in South Africa. Johannesburg: Ad Donker.
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