Difference between revisions of "Oom Bey, My Pa"
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| − | The play tells the story of Beyers Naudé as seen through the eyes of his youngest child and only daughter, Liesel. She recounts her experience of observing how the youngest member of the Broederbond transformed into one of South Africa's most celebrated liberation heroes. Liesel analyses her relationship with her father against the background of his struggle between obedience to God and obedience to the Church. | + | The play tells the story of Beyers Naudé as seen through the eyes of his youngest child and only daughter, Liesel. She recounts her experience of observing how the youngest member of the Broederbond transformed into one of South Africa's most celebrated liberation heroes. Liesel analyses her relationship with her father against the background of his struggle between obedience to God and obedience to the Church.[https://woordfees.co.za/en/program/oom-bey-my-pa/] |
2022: Produced in the [[Japie Krige Hall]] during the [[Woordfees]] in Stellenbosch by [[Leftfoot Theatre Productions]]. Directed by [[Tara Notcutt]] with [[Ira Blanckenberg]] and [[Robert Hindley]]. Stage managed by [[Amber Fox-Martin]] with designs by [[Tara Notcutt]] and music by [[Robert Hindley]]. | 2022: Produced in the [[Japie Krige Hall]] during the [[Woordfees]] in Stellenbosch by [[Leftfoot Theatre Productions]]. Directed by [[Tara Notcutt]] with [[Ira Blanckenberg]] and [[Robert Hindley]]. Stage managed by [[Amber Fox-Martin]] with designs by [[Tara Notcutt]] and music by [[Robert Hindley]]. | ||
Revision as of 07:50, 22 June 2023
Oom Bey, My Pa is a play by Henque Heymans (1985-)
The play tells the story of Beyers Naudé as seen through the eyes of his youngest child and only daughter, Liesel. She recounts her experience of observing how the youngest member of the Broederbond transformed into one of South Africa's most celebrated liberation heroes. Liesel analyses her relationship with her father against the background of his struggle between obedience to God and obedience to the Church.[1]
2022: Produced in the Japie Krige Hall during the Woordfees in Stellenbosch by Leftfoot Theatre Productions. Directed by Tara Notcutt with Ira Blanckenberg and Robert Hindley. Stage managed by Amber Fox-Martin with designs by Tara Notcutt and music by Robert Hindley.
