Difference between revisions of "Naweekpos"
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Inspired by [[Norval Geldenhuys]], ''[[Naweekpos]]'', first appeared in 1954, with [[Jan Scarnell]] as its first editor, assisted by co-editors [[Berta Smit]] and [[Audrey Blignault]]. The magazine had a strong Christian ethos and published general articles on a range of matters, including literatrue and the performing arts. It lasted till 1970, at which point it was incorporated into ''[[Die Voorligter]]''. | Inspired by [[Norval Geldenhuys]], ''[[Naweekpos]]'', first appeared in 1954, with [[Jan Scarnell]] as its first editor, assisted by co-editors [[Berta Smit]] and [[Audrey Blignault]]. The magazine had a strong Christian ethos and published general articles on a range of matters, including literatrue and the performing arts. It lasted till 1970, at which point it was incorporated into ''[[Die Voorligter]]''. | ||
| − | The magazine at one point also became involved in the film industry, inter alia funding the film | + | The magazine at one point also became involved in the film industry, inter alia funding the film ''[[Die Reën Kom Weer]]'' (1963) and distributing it under the banner of [[Naweekpos Films]]. |
Revision as of 11:30, 5 November 2022
Naweekpos ("Weekend Post") was a magazine.
Inspired by Norval Geldenhuys, Naweekpos, first appeared in 1954, with Jan Scarnell as its first editor, assisted by co-editors Berta Smit and Audrey Blignault. The magazine had a strong Christian ethos and published general articles on a range of matters, including literatrue and the performing arts. It lasted till 1970, at which point it was incorporated into Die Voorligter.
The magazine at one point also became involved in the film industry, inter alia funding the film Die Reën Kom Weer (1963) and distributing it under the banner of Naweekpos Films.
