Difference between revisions of "Censorship in South Africa"
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Many South Africans would travel across the borders, for what were known as "dirty weekends", to countries such as Swaziland (now Eswatini), Basutoland (now Lesotho) and Bechuanaland (now Botswana) where they would be able to watch films (and buy books) that were banned in South Africa. | Many South Africans would travel across the borders, for what were known as "dirty weekends", to countries such as Swaziland (now Eswatini), Basutoland (now Lesotho) and Bechuanaland (now Botswana) where they would be able to watch films (and buy books) that were banned in South Africa. | ||
− | + | = The "Banned-film Circuit" = | |
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Revision as of 13:08, 15 May 2022
Contents
Censorship
Censorship is the suppression of speech or deletion of communicative material which may be considered objectionable, harmful, sensitive, or inconvenient to the government or media organizations as determined by a censor.
Censorship in South Africa
General censorship
In 1963 the Publications and Entertainment Bill was passed. This stipulated **. PUBLICATIONS AND ENTERTAINMENT ACT no. 26 (1963). Prior to 1963, censorship was exercised by Customs, which meant locally-produced works were not subject to any censorship. This Act - which stayed in operation up to the passing of the Publications Act of 1974 - founded the first censorship board in South Africa, consisting of nine members, of which six were in charge of art, language and literature, allowing also for domestic censorship of ‘undesirable’ works. Although a provision was made for an appeal to the Supreme Court, this option was seldom exercised in practice. In all, an average of about 70 films per year, and 7000 publications were banned in the decade in which this Act was in operation. (See Gosher, 1988) [JH] PUBLICATIONS APPEAL BOARD. Higher authority called into being by the Publications Act of 1974. This body handled appeals against bannings previously referred to the Supreme Court and sat in-camera with interested parties. (See Gosher, 1988) [JH] PUBLICATIONS ACT (1974). Supplanted the 1963 Publications and Entertainment Act. While retaining the strict provisions and criterion of ‘undesirability’, it closed some loopholes and replaced the right of appeal to the Supreme Court with an inhouse Publications Appeal Board. (See Gosher, 1988) [JH] See Smith, 1990, pp45-47.
Censorship and theatre
Censored productions and plays
See banned musicals for blasphemy: Hair, Godspell, Jesus Christ Superstar. Amendations to: Three Months Gone; Who's Afraid of Virginia Woolf?
Censorship and Film
In 1910 the first film to be banned in South Africa was The Johnson-Jeffries Fight. It was banned because the footage depicted the black boxer Jack Johnson defeating the white boxer James J. Jeffries. This film inspired race riots in the American South.
During the Apartheid regime, films depicting interracial couples were considered immoral and were banned and/or censored for content as were scenes depicting nudity among the European community by the ruling party - the James Bond films Live and Let Die and A View To A Kill had love scenes which were censored by the South African government. Some films were banned outright, but many were allowed to be screened only after being heavily cut.
Under the apartheid regime, South Africa had one of the most exhaustive film censorship systems of any country in the Western world. About 1,300 films a year were studied, often frame by frame. Cuts for nudity, language and politics were the subject of lengthy public appeals argued by batteries of lawyers.
Many films with Black actors were banned outright, such as the 1967 British drama film starring Sidney Poitier, To Sir - With Love, which deals with social and racial issues in an inner-city school.
Guess Who's Coming to Dinner, a 1967 American romantic comedy-drama film produced and directed by Stanley Kramer and written by William Rose. Starring Spencer Tracy (in his final role), Sidney Poitier, and Katharine Hepburn. It depicted an interracial marriage in a positive light, which did not impress the South African censors.
Helga – Vom Werden des menschlichen Lebens also referred to simply as Helga, is a 1967 West German sex education documentary and the first film of the Helga trilogy, starring Ruth Gassmann as Helga. Its release in West Germany was followed by international releases in many countries but in South Africa, it could only be shown to segregated audiences. Men and women were not allowed to watch it together.
A Clockwork Orange, a 1971 film adapted, produced, and directed by director Stanley Kubrick and based on Anthony Burgess's 1962 novel of the same name. It was considered to be one of the most violent films ever made. It fell foul of the country's censors and was banned for 13 years.
Joe Bullit, Produced in 1971 and released in 1973 in the Eyethu cinema in Soweto, it was banned by the Apartheid government after only two screenings. It was one of the first local films to feature an all African cast starring Ken Gampu and Abigail Kubeka. It is about a local soccer team that fell prey to a mysterious gangster. It was later unbanned by the Minister of Communication but never re-released.
The film version of The Rocky Horror Picture Show is a 1975 musical comedy horror film by 20th Century Fox, produced by Lou Adler and Michael White and directed by Jim Sharman. The film was shot in the United Kingdom and starred Tim Curry, Susan Sarandon and Barry Bostwick. The apartheid censors were shocked into banning it.
The Search for Sandra Laing A 1977 film directed by Anthony Thomas which relates the story of a young girl who was classified coloured, though her parents were white, and the effects this had on their family and their community.
Up in Smoke, (also referred to as Cheech & Chong's Up in Smoke) is a 1978 American comedy film directed by Lou Adler which glorified the use of marijuana and which upset the FBP.
Pretty Baby, is a 1978 film directed by Louis Malle which caused significant controversy due to its depiction of child prostitution and the nude scenes of Brooke Shields, who was 12 years old at the time of filming. Fearing a moral panic, apartheid censors moved to block the release of the film.
Last Tango In Paris, 1978, directed by Bernardo Bertolucci and starring Maria Schneider and Marlon Brando. This controversial film was banned because of the full-frontal nudity and a scene in which Paul, Marlon's character, rapes Schneider’s character, Jeanne, using a stick of butter as lubricant. Schneider was not told about the scene before it was shot.
Hair, a 1979 American musical anti-war comedy-drama film directed by Miloš Forman. Storyline: Claude Bukowski leaves the family ranch in Oklahoma for New York City where he is rapidly embraced into the hippie group of youngsters led by Berger, yet he's already been drafted. He soon falls in love with Sheila Franklin, a rich girl but still a rebel inside. The movie was banned probably because of the depiction of racial mingling, use of drugs, care less about societal values, and "immorality". Starring John Savage, Treat Williams, Beverly D'Angelo, Annie Golden, Dorsey Wright, Don Dacus, Cheryl Barnes, Melba Moore and Ronnie Dyson. The record was also banned.
Cruising, a 1980 movie directed by William Friedkin about a serial killer targeting gay people.
Monty Python's Life of Brian, a 1979 film directed by Terry Jones. The film tells the story of Brian Cohen (played by Chapman), a young Jewish-Roman man who is born on the same day as — and next door to — Jesus. He is subsequently mistaken for the Messiah. Banned under the apartheid regime because of blasphemous content.
Cry Freedom, a 1987 biography about Steve Biko starring Kevin Kline, Penelope Wilton and Denzel Washington. Directed by Richard Attenborough. This never passed the apartheid censors. Ster-Kinekor released the movie and it was subsequently banned. The police arrived at night whilst the movie was showing and insisted on shutting it down. They then confiscated the movie. Only hours after Cry Freedom won its approval from the government censors and made its South African premiere, the authorities banned it as a threat to public safety. They seized the film reels from at least 30 theaters nationwide. 30 July 1988.
Mapantsula, a 1988 South African crime film directed by Oliver Schmitz and written by Schmitz and Thomas Mogotlane. is the story of Johannes 'Panic' Themba Mzolo (Mogotlane), a small-time thief, and is set against the backdrop of Apartheid. It was prohibited from release.
Biko: the Spirit Lives (1988), by Terrence Francis. the film describes Steve Biko’s leadership of the Black Consciousness Movement and the events leading up to his death.
The Cry of Reason: Beyers Naudé — an Afrikaner Speaks Out Released in 1988, the film is about one man’s journey from supporting apartheid, to his active opposition to it. Directed by Robert Bilheimer.
Songololo : Voices of Change is a 1990 film by Marianne Kaplan and Cari Green which focuses on Gcina Mhlope and Mzwakhe Mbuli and the ways in which culture and artistic performance contributed to their struggle against apartheid.
The Long Journey of Clement Zulu documents the reintegration into society and their old lives of Ebrahim Ismail Ebrahim, James Mange, and Clement Zulu after their release from Robben Island in 1991. Directed by by Liz Fish in 1992.
The Comrade King a film made in 1994 by Ben Horowitz. It is about King Sabata Dalindyebo’s life and his reburial by the Thembu nation.
Kids is a 1995 American coming-of-age drama film directed by Larry Clark and written by Harmony Korine. The first banned film in the democratic era came from Hollywood. Kids tells the story of an unruly group of young teenagers who indulge in casual sex, violence and drugs – it was banned between 1995 – 1997.
Of Good Report, a 2013 South African romantic thriller film, directed by Jahmil X.T. Qubeka. The film starred Mothusi Magano and Petronella Tshuma in lead roles. The storyline is about young girls being abused by older men but was deemed ‘too graphic’ by the FBP. The character of a 16-year-old-girl has sex with a teacher, and this was enough to halt its 2013 release.
Inxeba… (sort of). The film was briefly classified by the FBP as an X18, up from its initial rating of 16LS. The X-rating meant that the movie could no longer be screened in local cinemas before the ban was overturned in court.
In 1996 The Film and Publication Board, or FPB, was established under the Film and Publications Act. This board was created as a content classification and regulation authority, operating under the Minister of Communications and they often ordered certain cuts to be made before the film was shown. The FPB's purpose was ostensibly to tackle issues of child pornography and child abuse, as well as to provide ratings to publicly consumed media such as movies, music and television programs. Under these directives, its mandate could be considered one of state censorship. Many South Africans would travel across the borders, for what were known as "dirty weekends", to countries such as Swaziland (now Eswatini), Basutoland (now Lesotho) and Bechuanaland (now Botswana) where they would be able to watch films (and buy books) that were banned in South Africa.
The "Banned-film Circuit"
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