Difference between revisions of "ESAT Foreign plays Wb-Wez"
| Line 41: | Line 41: | ||
[[De Wees van Brussel|Wees van Brussel, De]] (Ruysch) | [[De Wees van Brussel|Wees van Brussel, De]] (Ruysch) | ||
| + | |||
| + | [[The Weft of the Wish-ton-Wish]] (Bernard) | ||
[[Weg met de Emancipatie!, of Zonder Vrouwen is Geen Leven]] (Van der Stempel) | [[Weg met de Emancipatie!, of Zonder Vrouwen is Geen Leven]] (Van der Stempel) | ||
| − | |||
| − | |||
[[Well Matched]] (Harvard) | [[Well Matched]] (Harvard) | ||
Revision as of 06:33, 16 July 2021
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
The list
We Fly by Night (Colman Jr) See We Fly by Night, or Long Stories
We Fly by Night, or Long Stories (Colman Jr)
We Will Rock You (Queen/Elton)
Weak Woman (Byron)
Weathercock, The (Forrest)
Wedding, The (Brecht)
Wedding Day, The (Fielding/Mrs Inchbald)
Wees uit het Gebergte, De (Nieuwmeyer)
Wees van Brussel, De (Ruysch)
The Weft of the Wish-ton-Wish (Bernard)
Weg met de Emancipatie!, of Zonder Vrouwen is Geen Leven (Van der Stempel)
Well Matched (Harvard)
Wer Weiß, Wozu das Gut Ist (Von Kotzebue)
Wenlock of Wenlock, or The Spirit of the Black Mantle (Wilks)
Wept of Wish-ton-Wish, The (Cooper/Bernard)
West Indian, The (Cumberland)
West Side Story (Laurents, Bernstein and Sondheim)
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
