Difference between revisions of "Wathint' Abafazi, Wathint' Imbokodo"
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Originally developed by [[Vusisiswe Players]], it was first produced by the [[Communty Arts Project]] in Cape Town in 1986, then toured the country for a long time, also being performed internationally (e.g. in New York in 1988, and in Birmingham and London with a UK cast in 2005). | Originally developed by [[Vusisiswe Players]], it was first produced by the [[Communty Arts Project]] in Cape Town in 1986, then toured the country for a long time, also being performed internationally (e.g. in New York in 1988, and in Birmingham and London with a UK cast in 2005). | ||
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| + | ==Translations and adaptations== | ||
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| + | == Performance history in South Africa == | ||
1986: Facilitated and directed by Klotz, with Macutyana, Qosha and Tsira, it was first produced by the [[Communty Arts Project]] ([[CAP]]) in Cape Town. | 1986: Facilitated and directed by Klotz, with Macutyana, Qosha and Tsira, it was first produced by the [[Communty Arts Project]] ([[CAP]]) in Cape Town. | ||
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| − | Return to [[ | + | === Sources == |
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| + | Go to [[ESAT Bibliography]] | ||
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| + | == Return to == | ||
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| + | Return to [[PLAYS I: Original SA plays]] | ||
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| + | Return to [[PLAYS II: Foreign plays]] | ||
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| + | Return to [[PLAYS III: Collections]] | ||
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| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
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| + | Return to [[South_African_Festivals|South African Festivals and Competitions]] | ||
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| + | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
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Revision as of 09:31, 10 November 2020
Wathint' Abafazi, Wathint' Imbokodo ("You strike the women, you strike a/the rock") is a workshopped play by Phyllis Klotz, Thobeka Macutyana, Nomvula Qosha and Poppy Tsira (calling themselves Vusisiswe Players).
More often referred to by the English title of You Strike a Woman, You Strike a Rock . The Xhosa title was apparently used initially, also in the published version of the text, but the 2006 production used the English title.
Contents
The original text
Utilizing the title of the signature song of the 1956 women's march as its title and theme, and dealing with the trials and tribulations of three women in Crossroads squatter camp outside Cape Town, the play was workshopped by Phyllis Klotz, Thobeka Macutyana, Nomvula Qosha and Poppy Tsira (calling themselves Vusisiswe Players). In Itumeleng Wa-Lehure's CV he claims that he wrote the play, and he does seem to be credited as part of the ensemble. However, most sources accept it as a group creation, facilitated and directed by Klotz.
Originally developed by Vusisiswe Players, it was first produced by the Communty Arts Project in Cape Town in 1986, then toured the country for a long time, also being performed internationally (e.g. in New York in 1988, and in Birmingham and London with a UK cast in 2005).
Translations and adaptations
Performance history in South Africa
1986: Facilitated and directed by Klotz, with Macutyana, Qosha and Tsira, it was first produced by the Communty Arts Project (CAP) in Cape Town.
2006: Revived with a new cast in celebration of the 1956 Women's March, from which the original title derives. Done by Connie Chiume, Poppy Tsira and Busi Zolufa at the Market Theatre, the Arena State Theatre and the Baxter's Sanlam Studio, directed by Phyllis Klotz. First published in Kani (ed): More Market Plays by Ad Donker, 1996.
= Sources
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
