Difference between revisions of "Mischiefmaking"

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''[[Mischief-making]]''  is a farce in one act by John Baldwin Buckstone (1802-1879)[]
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#REDIRECT [[Mischief-making]]
 
 
==The original text==
 
 
 
 
 
Published in Lacy's acting edition by [[Thomas Hailes Lacy]], 1868
 
 
 
 
 
 
 
==Translations and adaptations==
 
 
 
== Performance history in South Africa ==
 
 
 
 
 
1861: Performed by [[Sefton Parry]] and his company in the [[Theatre Royal]], Cape Town, on 18 May, with a dance (Pas de Matlots) by [[Miss Powell]], a popular ballad sung by [[Leffler]] and as ''[[Giralda, or The Invisible Husband]]'' (ascribed to Welstead). The latter piece apparently caused some consternation and resistance among Cape Town citizens because of its perceived "licentiousness", in the text and the vulgarity of the performances.
 
 
 
== Sources ==
 
 
 
 
 
Facsimile version of the 1868 Lacy text, [[Hathi Trust Digital Library]][https://babel.hathitrust.org/cgi/pt?id=uiug.30112044387196&view=1up&seq=7]
 
 
 
[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage",  in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
 
 
 
[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.203-205
 
 
 
Go to [[ESAT Bibliography]]
 
 
 
== Return to ==
 
 
 
Return to [[PLAYS I: Original SA plays]]
 
 
 
Return to [[PLAYS II: Foreign plays]]
 
 
 
Return to [[PLAYS III: Collections]]
 
 
 
Return to [[PLAYS IV: Pageants and public performances]]
 
 
 
Return to [[South_African_Festivals|South African Festivals and Competitions]]
 
 
 
Return to [[The ESAT Entries]]
 
 
 
Return to [[Main Page]]
 
 

Latest revision as of 05:32, 19 September 2020

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