Difference between revisions of "James Welch"
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Welch returned to Cape Town at the beginning of 1904 for another short season of plays at the [[Opera House]], Cape Town, the repertoire including repeats of ''[[The New Clown]]'' and ''[[The Man in the Street]]'', as well as ''[[Cousin Kate]]'' (Howard) and ''[[My Arful Valet]]'' (Mortimer). | Welch returned to Cape Town at the beginning of 1904 for another short season of plays at the [[Opera House]], Cape Town, the repertoire including repeats of ''[[The New Clown]]'' and ''[[The Man in the Street]]'', as well as ''[[Cousin Kate]]'' (Howard) and ''[[My Arful Valet]]'' (Mortimer). | ||
| − | Welch greatly impressed the Cape Town critic [[D.C. Boonzaier]], who referred to him as an "incomparable comedian" and a lovable and sympathetic actor of both comedy and pathos whose performances were never "over-accentuated, forced or conventional". (See Bosman, 1980: p. 412.) | + | Welch greatly impressed the Cape Town critic [[D.C. Boonzaier]], who referred to him as an "incomparable comedian" and a lovable and sympathetic actor of both comedy and pathos whose performances were never "over-accentuated, forced or conventional". (See [[F.C.L. Bosman|Bosman]], 1980: p. 412.) |
== Sources == | == Sources == | ||
Revision as of 05:58, 9 May 2020
James Welch was a British comedian.
Also known as Jimmy Welch.
Contents
Biography
Contribution to SA theatre, film, media and/or performance
He made his debut in South Africa at the Opera House, Cape Town, under the management of Sass and Nelson, on 4 January, 1903, with a performance of The New Clown (Paull). This 1903 season also included The Man in the Street (Parker).
Welch returned to Cape Town at the beginning of 1904 for another short season of plays at the Opera House, Cape Town, the repertoire including repeats of The New Clown and The Man in the Street, as well as Cousin Kate (Howard) and My Arful Valet (Mortimer).
Welch greatly impressed the Cape Town critic D.C. Boonzaier, who referred to him as an "incomparable comedian" and a lovable and sympathetic actor of both comedy and pathos whose performances were never "over-accentuated, forced or conventional". (See Bosman, 1980: p. 412.)
Sources
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 412-3, 417-8 Go to the ESAT Bibliography
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