Difference between revisions of "Not With My Gun"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
1998: Premièred at the [[Grahamstown Festival]] in July 1998 directed by [[Aubrey Sekhabi]] for the [[North West Arts Council]], with | 1998: Premièred at the [[Grahamstown Festival]] in July 1998 directed by [[Aubrey Sekhabi]] for the [[North West Arts Council]], with | ||
| − | [[Vusi Kunene]], [[Baby Cele]], [[John Lata]]/[[Tshallo Chokwe]], [[Slindile Nodangala]], [[Kholofelo Kola]], [[Peter Mashigo]] and [[Paul Lückhoff]]. The same production played at The [[Market Theatre]] in September 1998. | + | [[Vusi Kunene]], [[Baby Cele]], [[John Lata]]/[[Tshallo Chokwe]], [[Slindile Nodangala]], [[Kholofelo Kola]], [[Peter Mashigo]] and [[Paul Lückhoff]]. The same production played at The [[Market Theatre]] in September 1998. |
| + | By [[Aubrey Sekhabe]] and [[Mpumelelo P. Grootboom]]. Directed: [[Aubrey Sekhabe]] and [[M.P. Grootboom]]. Cast : [[Vusi Kunene]], [[Baby Cele]], [[Tshallo Shokwe]], [[Slindile Nodangala]], [[Kholofelo Kola]], [[Peter Mashigo]], [[Paul Luckoff]]. | ||
== Subject == | == Subject == | ||
Revision as of 11:51, 14 February 2024
by Aubrey Sekhabi with Mpumelelo Paul Grootboom (1998).
Contents
Performance history in South Africa
1998: Premièred at the Grahamstown Festival in July 1998 directed by Aubrey Sekhabi for the North West Arts Council, with Vusi Kunene, Baby Cele, John Lata/Tshallo Chokwe, Slindile Nodangala, Kholofelo Kola, Peter Mashigo and Paul Lückhoff. The same production played at The Market Theatre in September 1998. By Aubrey Sekhabe and Mpumelelo P. Grootboom. Directed: Aubrey Sekhabe and M.P. Grootboom. Cast : Vusi Kunene, Baby Cele, Tshallo Shokwe, Slindile Nodangala, Kholofelo Kola, Peter Mashigo, Paul Luckoff.
Subject
Not With My Gun focuses on the emrging black elite of the early post-apartheid era. A successful black filmmaker throws a party for his three life-long friends to celebrate on the evening before one of them is to get married, and they catch a white burglar red-handed in the house. How do these four middle-class black men treat the terrified white criminal they have apprehended? How do they manage their intuitive desire for revenge? [Van Heerden (2008)][1]. p 156.
Translations and adaptations
Sources
National Arts Festival programme, 1998. 50-51.
Review by Garalt MacLiam published in The Star, 13 August 1998.
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