Difference between revisions of "Le Droit d'Aînesse"
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Cecil A. Smith and Glenn Litton. 1987. ''Musical Comedy in America: From The Black Crook to South Pacific, From The King & I to Sweeney Todd''. Routledge (reprinted 2013)[https://books.google.co.za/books?id=9efWAQAAQBAJ&pg=PA47&lpg=PA47&dq=Falka+a+comedy&source=bl&ots=iEzyLADTPE&sig=ACfU3U31XRNTebEjCEYz6eXhCjAh9LRApA&hl=en&sa=X&ved=2ahUKEwiXjNSVmN7jAhVRTcAKHUDfD0UQ6AEwBnoECAcQAQ#v=onepage&q=Falka%20a%20comedy&f=false] | Cecil A. Smith and Glenn Litton. 1987. ''Musical Comedy in America: From The Black Crook to South Pacific, From The King & I to Sweeney Todd''. Routledge (reprinted 2013)[https://books.google.co.za/books?id=9efWAQAAQBAJ&pg=PA47&lpg=PA47&dq=Falka+a+comedy&source=bl&ots=iEzyLADTPE&sig=ACfU3U31XRNTebEjCEYz6eXhCjAh9LRApA&hl=en&sa=X&ved=2ahUKEwiXjNSVmN7jAhVRTcAKHUDfD0UQ6AEwBnoECAcQAQ#v=onepage&q=Falka%20a%20comedy&f=false] | ||
Revision as of 06:27, 12 September 2019
Le Droit d'Aînesse ("The Birthright") is a French opéra bouffe[1] in three acts by composer Francis Chassaigne (1847-1922)[2] with a French libretto by Eugène Leterrier (1843-1884)[3] and Albert Vanloo (1846-1920)[4].
(In French the title would normally be written Le droit d'aînesse. The composer is also known as "François Chassaigne" or " Francisque Chassaigne".)
Contents
The original text
The French original text was published in Paris by E. Gérard in 1880[5] and it premiered on 27 January 1883, at the Théâtre des Nouveautés in Paris.[6]
Translations and adaptations
The English-language version of the libretto, titled Falka (after the name of the principal female character), was translated and adapted by Henry Brougham Farnie (1836–1889)[7].
Falka premiered at the Royal Comedy Theatre, London on 29 October 1883, at the Casino Theatre, New York, in 1884 and was followed by productions throughout the English-speaking world.
Performance history in South Africa
1890: Performed in the Exhibition Theatre, Cape Town in January by an opera company managed and directed by Edgar Perkins. The company included R.S. Gregg, E. le Hay, Dennis Coyne, Frank Wheeler, Harry Miller, Ada Bemister, Carrie Nelson, Harriet Wood, and Ella Bankhardt. Musical direction was by James Hyde.
1902-3: Performed by the Mouillot-De Jong Company, at the Opera House, Cape Town, as part of a season of musical comedy and light opera beginning in December of 1902 and running into 1903.
Sources
Cecil A. Smith and Glenn Litton. 1987. Musical Comedy in America: From The Black Crook to South Pacific, From The King & I to Sweeney Todd. Routledge (reprinted 2013)[8]
https://en.wikipedia.org/wiki/Francis_Chassaigne
https://en.wikipedia.org/wiki/Eug%C3%A8ne_Leterrier
https://en.wikipedia.org/wiki/Albert_Vanloo
https://archive.org/details/ledroitdanesse00chas
https://en.wikipedia.org/wiki/Le_droit_d%27a%C3%AEnesse
https://www.amazon.co.uk/Antique-Comedy-Theatre-Romance-45MAR1/dp/B0014H2NGM
https://en.wikipedia.org/wiki/Henry_Brougham_Farnie
https://en.wikipedia.org/wiki/Op%C3%A9ra_bouffe
D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p. 413.
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