Difference between revisions of "William H. Bell"
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| − | (1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director (19**-1934) of the [[South African College of Music]], (later the faculty of Music at the University of Cape Town). Made dramatic studies part of music training. Prime mover to obtain and first general director (1931-1934) of the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in founding of the [[UCT Drama Department]] (19*-) . | + | (1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director (19**-1934) of the [[South African College of Music]], (later the faculty of Music at the University of Cape Town). Made dramatic studies part of music training. Prime mover to obtain and first general director (1931-1934) of the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in founding of the [[UCT Drama Department]] (19*-) . [TH, JH] |
== Sources == | == Sources == | ||
| − | See Du Toit, 1988; Inskip, 197*; Binge , 1969 [ | + | See Du Toit, 1988; Inskip, 197*; Binge , 1969 |
| + | |||
| + | Go to [[South African Theatre/Bibliography]] | ||
| + | |||
| + | == Return to == | ||
Return to [[ESAT Personalities B]] | Return to [[ESAT Personalities B]] | ||
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 09:25, 12 June 2012
(1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director (19**-1934) of the South African College of Music, (later the faculty of Music at the University of Cape Town). Made dramatic studies part of music training. Prime mover to obtain and first general director (1931-1934) of the University of Cape Town’s Little Theatre, which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the College of Music and the Little Theatre, he was an active member of the Cape Town Repertory Theatre Society, instrumental beginning the UCT Ballet School (bringing Dulcie Howes back to South Africa to run it) and in founding of the UCT Drama Department (19*-) . [TH, JH]
Sources
See Du Toit, 1988; Inskip, 197*; Binge , 1969
Go to South African Theatre/Bibliography
Return to
Return to ESAT Personalities B
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
