Difference between revisions of "Crimson Crimes"
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==The original text== | ==The original text== | ||
| − | One commentator suggests that it may have been a parody of the one act “romantic tale of terror” published in 1810 by Alfred Dubois (''nom de plume'' of James Stuart Bowes, 1768/69-1863) called ''[[Wilful Murder, or Deeds of Dreadful Note]]'' (or simply ''[[Deeds of Dreadful Note]]''), though it could of course also have been | + | One commentator suggests that it may have been a parody of the one act “romantic tale of terror” published in 1810 by Alfred Dubois (''nom de plume'' of James Stuart Bowes, 1768/69-1863) called '''''[[Wilful Murder, or Deeds of Dreadful Note]]''''' (or simply ''[[Deeds of Dreadful Note]]''), though it could of course also have been Buckstone's play - or a parody of it, or of the genre in general, merely taking the title from the two works. |
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 08:54, 19 May 2019
There are two plays named Crimson Crimes, both containing the phrase "Crimson Crimes" in the full title as well:
Contents
Crimson Crimes, or The Blood-Stained Bandit (1832)
This is described as a melodrama or burletta by John B. Buckstone ()[]
First performed at the Adelphi Theatre, London on 19 November, 1832.
Crimson Crimes, or Deeds of Dreadful Note (1849)
This is a farce attributed to William E. Burton (1804-1860)[]
The original text
One commentator suggests that it may have been a parody of the one act “romantic tale of terror” published in 1810 by Alfred Dubois (nom de plume of James Stuart Bowes, 1768/69-1863) called Wilful Murder, or Deeds of Dreadful Note (or simply Deeds of Dreadful Note), though it could of course also have been Buckstone's play - or a parody of it, or of the genre in general, merely taking the title from the two works.
Translations and adaptations
Performance history in South Africa
1857: Performed in the Harrington Street Theatre , Cape Town, on 23 September by the Sefton Parry Company as Crimson Crimes, a "screaming farce" by an unnamed author. Also performed was Who Speaks First? (Dance) and Monsieur Jacques (Barnett and Barnett).
Sources
https://www.umass.edu/AdelphiTheatreCalendar/auth.htm#let06c
https://www.umass.edu/AdelphiTheatreCalendar/m32d.htm#Label004
https://clerkandthecity.wordpress.com/2011/01/23/tuesday-january-23-1849/
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 59, 61
