Difference between revisions of "Robert Marshall"
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In 1893, he was posted to the Cape Colony as adjutant to Sir William Gordon Cameron, a post which he held for over a year. While stationed at the Cape Town Castle, he wrote a play entitled ''[[The Great Day]]'' which was to have been produced in London by George Alexander but F. Pigott, the Examiner of Plays, objected to it and so this never occurred. | In 1893, he was posted to the Cape Colony as adjutant to Sir William Gordon Cameron, a post which he held for over a year. While stationed at the Cape Town Castle, he wrote a play entitled ''[[The Great Day]]'' which was to have been produced in London by George Alexander but F. Pigott, the Examiner of Plays, objected to it and so this never occurred. | ||
− | He was then posted to the Colony of Natal where he became aide-de-camp to Sir Walter Hely-Hutchinson, Governor of Natal and at this stage, probably in Natal, wrote his first important play ''[[His Excellency the Governor]]'' | + | He was then posted to the Colony of Natal where he became aide-de-camp to Sir Walter Hely-Hutchinson, Governor of Natal and at this stage, probably while in Natal, wrote his first important play, namely ''[[His Excellency the Governor]]'' - which go on to a to become enough of a success for Marshall to enable him to resign from the military and take up playwriting as his full-time profession. |
− | While there is no indication that any of his plays were produced in South Africa during his sojourn there, some of the work was brought to South Africa by British touring companies and others. Among them have been ''[[The Duke of Killiecrankie]]'' (, | + | ==Plays by [[Robert Marshall]] that have been performed in South Africa== |
+ | |||
+ | While there is no indication that any of his plays were actually tried out or produced in South Africa during his sojourn there - not even the two that he wrote while stationed in Cape Town and Pietermaritzburg. However, some of the work was brought to South Africa by British touring companies and others. Among them have been ''[[The Duke of Killiecrankie]]'' (, | ||
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[[The Second Fortune]] | [[The Second Fortune]] | ||
+ | ==Sources== | ||
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+ | https://en.wikipedia.org/wiki/Robert_Marshall_(dramatist) | ||
+ | |||
+ | Go to the [[ESAT Bibliography]] | ||
+ | |||
+ | == Return to == | ||
+ | |||
+ | Return to [[ESAT Personalities M]] | ||
+ | |||
+ | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
+ | Return to [[The ESAT Entries]] | ||
− | + | Return to [[Main Page]] |
Revision as of 05:03, 9 May 2019
Robert Marshall (1863-1910)[1] was a Scottish born army captain, an amateur actor and a playwright.
Contents
Biography
Born in Edinburgh, he went to school in St Andrews and afterwards to the University of Edinburgh, where he studied Greek, Latin and English literature. When his father's death put a stop to his studies, he enlisted in the 71st Highland Light Infantry.
He had postings with the Duke of Wellington's West Riding Regiment stationed in the Bermudas, then in Canada and Barbados. In 1893, he was posted to the Cape Colony as adjutant to Sir William Gordon Cameron, a post which he held for over a year, before he was posted as aide-de-camp to Sir Walter Hely-Hutchinson, Governor of Natal.
While on guard duty on Agar's Island, in the Bermudas, he had written his first play The Subaltern, which was produced by The Amateur Dramatic Club of Bermuda for which he also acted and painted sets. From there on he would use his spare time in the military to produce a range of plays, three of them apparently written while in South Africa, though they were not performed there at the time, but in London (The Great Day, The Shades of Night in Cape Town (1893) and His Excellency the Governor in Pietermaritzburg in Natal). The last mentioned was his first important play and - in view of its financial success - he resigned from the military to take up playwriting as his profession. He went on to write at least two other big successes before his untimely death at 47 years of age, namely The Second in Command and The Duke of Killiecrankie.
His South African period
In 1893, he was posted to the Cape Colony as adjutant to Sir William Gordon Cameron, a post which he held for over a year. While stationed at the Cape Town Castle, he wrote a play entitled The Great Day which was to have been produced in London by George Alexander but F. Pigott, the Examiner of Plays, objected to it and so this never occurred.
He was then posted to the Colony of Natal where he became aide-de-camp to Sir Walter Hely-Hutchinson, Governor of Natal and at this stage, probably while in Natal, wrote his first important play, namely His Excellency the Governor - which go on to a to become enough of a success for Marshall to enable him to resign from the military and take up playwriting as his full-time profession.
Plays by Robert Marshall that have been performed in South Africa
While there is no indication that any of his plays were actually tried out or produced in South Africa during his sojourn there - not even the two that he wrote while stationed in Cape Town and Pietermaritzburg. However, some of the work was brought to South Africa by British touring companies and others. Among them have been The Duke of Killiecrankie (,
The Shades of Night (1895)
His Excellency the Governor (1898)The Duke of Killiecrankie (1904)
A Royal Family (1898)
The Broad Road (1898) Terry's Theatre, London
The Noble Lord (1900) Criterion, London[7]
The Second in Command (1900)
Prince Charlie (1901) one-act play
The Haunted Major (1902) a novel, a.k.a. The Enchanted Golf Clubs[8]
There's Many a Slip (1902) a translation of Bataille de Dames by Ernest Legouvé and Eugène Scribe.[4]
The Unforeseen (1903)
Everybody's Secret (1905) with L.N. Parker, adaptation from Pierre Wolff's Le Secret de Polichinelle The Lady of Leeds (1905)[6] The Alabaster Staircase (1906) The Outsider (1908)[9] Second in Command (1910) The Second Fortune
Sources
https://en.wikipedia.org/wiki/Robert_Marshall_(dramatist)
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities M
Return to South African Theatre Personalities
Return to The ESAT Entries
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