Difference between revisions of "Recital"
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A term used for a solo performance of a musical nature or, at one period, even for a performance of a verbal nature. | A term used for a solo performance of a musical nature or, at one period, even for a performance of a verbal nature. | ||
| − | In theatrical terms this applied particularly to a solo (or group) programme of verse, prose and/or dramatic sketches as part of an evening of theatre, various public occasions, solo performances, etc. Often done by a trained vocal artist or elocutionist. A popular pastime in England and the colonies, including South Africa in the 19th century and early 20th century. Gradually declined in popularity in English, though it retained and even regained important stature in the Afrikaans tradition in the late 20th century (often referred to as a '''Voordragprogram'''). See also [[Speech training|Elocutionist]] | + | In theatrical terms this applied particularly to a solo (or group) programme of verse, prose and/or dramatic sketches as part of an evening of theatre, various public occasions, solo performances, etc. Often done by a trained vocal artist or elocutionist. A popular pastime in England and the colonies, including South Africa in the 19th century and early 20th century. Gradually declined in popularity in English, though it retained and even regained important stature in the Afrikaans tradition in the late 20th century (often referred to as a '''Voordragprogram'''). |
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| + | See also [[Speech training|Elocutionist]] | ||
Return to [[South_African_Theatre/Themes|South African Theatre Terminology and Thematic Entries]] | Return to [[South_African_Theatre/Themes|South African Theatre Terminology and Thematic Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 05:25, 15 September 2010
A term used for a solo performance of a musical nature or, at one period, even for a performance of a verbal nature.
In theatrical terms this applied particularly to a solo (or group) programme of verse, prose and/or dramatic sketches as part of an evening of theatre, various public occasions, solo performances, etc. Often done by a trained vocal artist or elocutionist. A popular pastime in England and the colonies, including South Africa in the 19th century and early 20th century. Gradually declined in popularity in English, though it retained and even regained important stature in the Afrikaans tradition in the late 20th century (often referred to as a Voordragprogram).
See also Elocutionist
Return to South African Theatre Terminology and Thematic Entries
Return to Main Page
