Difference between revisions of "ESAT Bibliography Ra-Res"

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[[Craig Raine|Raine, Craig]] 1980. An interview with [[Athol Fugard]]. ''Quarto'', (9):9-14.
 
[[Craig Raine|Raine, Craig]] 1980. An interview with [[Athol Fugard]]. ''Quarto'', (9):9-14.
  
[[C. Rassool|Rassool, C.]] & [[L. Witz|Witz, L.]] 1993. The 1952 [[Van Riebeeck Festival|Jan van Riebeeck Tercentenary Festival]]: Constructing and Contesting Public National History in South Africa.  ''Journal of African History'', 34:447-468.
+
[[C. Rassool|Rassool, C.]] & [[L. Witz|Witz, L.]] 1993. The 1952 [[Van Riebeeck Fees|Jan van Riebeeck Tercentenary Festival]]: Constructing and Contesting Public National History in South Africa.  ''Journal of African History'', 34:447-468.
  
 
[[Elmarie Rautenbach|Rautenbach, Elmarie]] 1999. [[Pieter-Dirk Uys|Pieter-Dirk]] verklap Evita se geheim. ''Insig'', 12/99:24.
 
[[Elmarie Rautenbach|Rautenbach, Elmarie]] 1999. [[Pieter-Dirk Uys|Pieter-Dirk]] verklap Evita se geheim. ''Insig'', 12/99:24.

Revision as of 14:49, 15 March 2011

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Rabe, D. de V. 1983. Mimiek: die kuns van die gehoorgestremde. Opvoedkundige Kultuur, 6(3):26-27.

Rabe, L. 1985. In Shakespeare se towerwoud. Sarie, 14-16. January 30.

Rabe, S. 1982. Introduction to the art of stage make-up. Arabesque, 13:36. April.

Rabson, J.S. 1979. Psychodrama with alcoholics: a social work perspective. Social Work, 15:220-221. October.

Racster, Olga 1951. Curtain Up! The Story of Cape Theatre. Cape Town: Juta and Company.

Raditlhalo, S.I. 2002. South African Theater as/and Intervention, edited by Marcia Blumberg and Dennis Walder; The Drama of South Africa: Plays, Pageants and Publics Since 1910, by Loren Kruger. Reviewed in: Banham Martin, Gibbs, James, & Osofisan, Femi (eds.). African Theatre. Women. Oxford: James Curry. 171-175.

Raditlhalo, S.I. 2009. Truth in Translation: The TRC and the Translation of the Translators. Biography: An Interdisciplinary Quarterly, 32(1):89-101.

Rae, Almeda K. 1971. Dialogue and Characterization in the Plays of Athol Fugard. Unpublished master’s thesis Pretoria: University of Pretoria.

Rahner, Christiane 2007. “Führt was vor!” Traditionelle “Vorträge” in deutschsprachigen Gemeinden Südafrikas, in Fassel, Horst, Ulrich, Paul S., Schindler, Otto G. (eds.) Deutsches Theater im Ausland vom 17. zum 20. Jahrhundert: Interkulturelle Beziehungen in Geschichte und Gegenwart. Berlin, Germany: Lit. 267-274.

Raikes, R. Stage is set. 1971. Personality, 68-75. February 5.

Raine, Craig 1980. An interview with Athol Fugard. Quarto, (9):9-14.

Rassool, C. & Witz, L. 1993. The 1952 Jan van Riebeeck Tercentenary Festival: Constructing and Contesting Public National History in South Africa. Journal of African History, 34:447-468.

Rautenbach, Elmarie 1999. Pieter-Dirk verklap Evita se geheim. Insig, 12/99:24.

Ravenscroft, A. 1955. Teaching of set books: a play. Ons Eie Boek, 21(1):31-33.

Raymer, John David 1975. Eight Recent Plays by South African Dramatist Athol Fugard: his Method, his Development as a Playwright, his South African Context, and the Major Influences upon him. Unpublished doctoral dissertation. University of Ohio.

Raymond, Gerard 1993. Karma of violence. TheaterWeek, 6(306):24-30. June 21.

Razis, N. 1980. Popular theatre. South African Outlook, 110:102-103.

Read, John (comp.).1991. Athol Fugard. A Bibliography. Grahamstown: National English Literary Museum.

Rebirth of Port Elizabeth’s Opera House. 1968. Architect and Builder, 18(2):16-19.

Reddingsdaadbond propaganda and the stage. 1941. Forum. 4(9):28-29.

Reinecke, Dennis 1985. Staatsteater Pretoria, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 87-90.


Click on the appropriate letters of the alphabet in the sub-list below.

Ra-Res Ret-Ric Rid-Rol Rom-Rop Ros-Rot Rou-Rz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance