Difference between revisions of "ESAT Bibliography Wem-Wil"
| Line 34: | Line 34: | ||
[[Violet Wetherell|Wetherell, Violet]] 1940. Wenke vir amateuropvoerings: hoe [[Leontine Sagan]] reperteer. ''Huisgenoot'', 25(959):22. Augustus 9. | [[Violet Wetherell|Wetherell, Violet]] 1940. Wenke vir amateuropvoerings: hoe [[Leontine Sagan]] reperteer. ''Huisgenoot'', 25(959):22. Augustus 9. | ||
| − | Whitaker, R. 1981. Dimoetes to Dimetos: the evolution of myth: | + | [[R. Whitaker|Whitaker, R.]] 1981. Dimoetes to ''[[Dimetos]]'': the evolution of myth: (literary criticism of Fugard’s Dimetos). ''English Studies in Africa'', 24:45-59. |
| − | Whales, R.D. 1974. Young playmakers. South African Panorama, 19(3):36-37. March. | + | [[R.D. Whales|Whales, R.D.]] 1974. Young playmakers. ''South African Panorama'', 19(3):36-37. March. |
| − | White, L. 1982. Power and the Praise Poem. Journal of Southern African Studies, 9:1. | + | [[L. White|White, L.]] 1982. Power and the Praise Poem. ''Journal of Southern African Studies'', 9:1. |
| − | White, L. 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University African Studies Series No. 1. | + | [[L. White|White, L.]] 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: Birmingham University African Studies Series No. 1. |
| − | White, Landeg and Couzens, Tim | + | [[Landag White|White, Landeg]] and [[Tim Couzens|Couzens, Tim]] 1984. ''Literature and Society in South Africa''. Cape Town: Maskew Miller Longman. |
| − | Whitehouse, Audrey 1985. Port Elizabeth Shakespearean Festival: the first 25 years. Education and Culure, 8(3):8-10. | + | [[Audrey Whitehouse|Whitehouse, Audrey]] 1985. [[Port Elizabeth Shakespearean Festival]]: the first 25 years. ''Education and Culure'', 8(3):8-10. |
| − | Wilkens, Ivor and Strydom, Hans 1980. Die Super Afrikaners. Johannesburg: Ball. | + | [[Ivor Wilkens|Wilkens, Ivor]] and [[Hans Strydom|Strydom, Hans]] 1980. ''Die Super Afrikaners''. Johannesburg: Ball. |
| − | Wilkinson J. 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa. | + | [[J. Wilkinson|Wilkinson J.]] 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa. Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto Italo-Africano, 54(2):193. |
| − | Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto | ||
| − | Italo-Africano, 54(2):193. | ||
| − | Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2:69-70. | + | [[Franz Wille|Wille, Franz]] 1992. Wir spielen Weiter. ''Theater Heute'', 2:69-70. |
| − | Willems, Jos (ed.). 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch: Pro Ecclesia. | + | [[Jos Willems|Willems, Jos]] (ed.). 1966. ''Die [[H.B. Thom-teater]], Universiteit van Stellenbosch''. Stellenbosch: Pro Ecclesia. |
| − | Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts 10(1):107. | + | [[J.J. Williams|Williams, J.J.]] 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. ''Critical Arts'', 10(1):107. |
| − | Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) 59-68. | + | [[Owen Williams|Williams, Owen]] 1965. Theatre in South Africa. ''Contrast'', 4(1) 59-68. |
Willoughby, Guy 1995. Abroad on the boards: a new-look Fiona Ramsay faces the international limelight. Style, 17(7): 64-67. | Willoughby, Guy 1995. Abroad on the boards: a new-look Fiona Ramsay faces the international limelight. Style, 17(7): 64-67. | ||
Revision as of 17:57, 14 March 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The Road to Mecca. Essays in Theatre, 5(1):15-25.
Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The Island. Themes in Drama, 9:229-237.
Wertheim, Albert 1995. Euripides in South Africa: Medea and Demea. Comparative Drama, 29(3):334-347.
Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African Theatre Journal, 10(1):94-100.
Wertheim, Albert 2000. The Dramatic Art of Athol Fugard: From South Africa to the World. Bloomington: Indiana University Press.
Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. Sarie Marais, 27(23):109-111. May 5.
Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20):42-46. April 5.
Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September.
Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland.
Wetmore, Kevin J. 2005. Exits and Entrances, by Athol Fugard; Nothing But the Truth by John Kani. Reviewed in: Theatre Journal, 57(2):269-272.
Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot, 25(959):22. Augustus 9.
Whitaker, R. 1981. Dimoetes to Dimetos: the evolution of myth: (literary criticism of Fugard’s Dimetos). English Studies in Africa, 24:45-59.
Whales, R.D. 1974. Young playmakers. South African Panorama, 19(3):36-37. March.
White, L. 1982. Power and the Praise Poem. Journal of Southern African Studies, 9:1.
White, L. 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University African Studies Series No. 1.
White, Landeg and Couzens, Tim 1984. Literature and Society in South Africa. Cape Town: Maskew Miller Longman.
Whitehouse, Audrey 1985. Port Elizabeth Shakespearean Festival: the first 25 years. Education and Culure, 8(3):8-10.
Wilkens, Ivor and Strydom, Hans 1980. Die Super Afrikaners. Johannesburg: Ball.
Wilkinson J. 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa. Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto Italo-Africano, 54(2):193.
Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2:69-70.
Willems, Jos (ed.). 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch: Pro Ecclesia.
Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts, 10(1):107.
Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) 59-68.
Willoughby, Guy 1995. Abroad on the boards: a new-look Fiona Ramsay faces the international limelight. Style, 17(7): 64-67.
Wilmot, E. de B. 1951. Rep’s new theatre has everything. Outspan, 48(1274):22. July 27.
Click on the appropriate letters of the alphabet in the sub-list below.
Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
