Concert parties

The concept of a "Concert Party"

According to Wikipedia[1], a concert party is the collective name for a group of entertainers popular in Britain during the first half of the 20th century, functioning as travelling shows of songs and comedy, often put on at the seaside and opening with a Pierrot[2] number.

The tradition lasted from the 1890s until the 1950s, and similar concert parties were formed by several countries' armed forces during the First and Second World Wars. For example, during the Second World War, the British Armed Forces' concert party became known as the Entertainments National Service Association (ENSA), later succeeded by the Combined Services Entertainment (CSE). In South Africa the tradition, initiated inter alia by the South African Women's Auxilliary Services , led to the formation of the Union Defence Force Entertainment Unit in 1940 under the leadership of Major Myles Bourke.

As other forms of entertainment (particularly television) replaced variety shows in general, concert parties largely died out during the 1950s.

Concert parties in South Africa

19th Century

In the mid 19th century, the notion emerged in the Cape province, also as part of the entertainment activities of the local garrison, from a growing prevalence of musical and choral societies and so-called "vocal and instrumental concerts" in Cape Town, more often than not led by local music teachers. From this practice there gradually emerged the more ambitious practice of Literary and Musical Entertainments, events which usually included oratoria and cantatas as well as the occasional dramatic work in their programmes, and ultimately a range of so-called concert parties, both amateur and professional, many of them a variation of the newly introduced Christy's Minstrels format - a form which would almost come to dominate theatrical entertainment in the region between 1863 and 1873.

Among the numerous such events

=World war II

During the early years of the World War II the South African Women's Auxilliary Services (SAWAS)[3] organised voluntary "concert parties" and other forms of entertainment at the various military camps in the Union. From this would come the idea of having a formally organised entertainment unit for the Union Defence Force (UDF)[4], which became known as the Union Defence Force Entertainment Unit.

The Unit created a number of such concert parties during the war years, deploying them at home and abroad. Among them were the Springbok Frolics, the Gypsies, the Crazy Gang, the

This activity and the many performers who had gained experience in the process, would have an enormous impact on the entertainment industry in South Africa after the war.

Sources

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 185-6,

https://en.wikipedia.org/wiki/Concert_party_(entertainment)

https://en.wikipedia.org/wiki/Pierrot#England_2

http://ivormarkman.wixsite.com/photojournalism/south-african-womens-auxiliary-services

Neville Phillips. 2008. The Stage Struck Me! Leicester: Troubador Publishing Ltd.

Swift, M.1974. "The Union Defence Force Entertainment Group in South Africa (World War II)". Scientia Militaria - South African Journal of Military Studies, [S.l.], feb. 2012. ISSN 2224-0020. Available at: <http://scientiamilitaria.journals.ac.za/pub/article/view/935/946>. Date accessed: 24 May. 2015.

Ivor Markman. "South African Women's Auxiliary Services"[[5]]

https://en.wikipedia.org/wiki/South_African_Army_corps_and_branches

Percy Tucker. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.

https://en.wikipedia.org/wiki/Union_Defence_Force_(South_Africa)

Temple Hauptfleisch (ed.). 1985a. The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press.[6]

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