Difference between revisions of "Wash Norton"
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | A member of the "original" [[Christy Minstrels]] that visited South Africa in 1862. He was apparently an accomplished actor and one of two members who performed in [[blackface]], "delineating a nigger characters" or performing in [[Ethiopian]] skits. He is also credited as the co-creator of the [[Ethiopian skit]] ''[[Nervous Cures]]''. | + | A member of the "original" [[Christy Minstrels]] that visited South Africa in 1862. He was apparently an accomplished actor and one of two members who performed in [[blackface]], "delineating a nigger characters" or performing in [[Ethiopian]] skits. He is also credited as the co-creator (with [[Josh Brown]]) of the [[Ethiopian skit]] ''[[Nervous Cures]]''. |
He also seems to have been the leader of the troupe when they visited South Africa in 1862. | He also seems to have been the leader of the troupe when they visited South Africa in 1862. | ||
Revision as of 05:37, 12 January 2019
Wash Norton (fl 1860s) was an American singer, dancer and actor.
Also known as Mr Norton
Contents
Biography
Contribution to SA theatre, film, media and/or performance
A member of the "original" Christy Minstrels that visited South Africa in 1862. He was apparently an accomplished actor and one of two members who performed in blackface, "delineating a nigger characters" or performing in Ethiopian skits. He is also credited as the co-creator (with Josh Brown) of the Ethiopian skit Nervous Cures.
He also seems to have been the leader of the troupe when they visited South Africa in 1862.
The company's successful appearances had a huge impact on popular entertainment in Cape Town and the country during the 19th century.
Sources
Sydney Morning Herald, 5 May, 1863[1]
The Australian Circus History Society Website[2]
W.J. Mahar. 1999. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Volume 442 of Music in American life. University of Illinois Press, 1999
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 139-140.
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