Difference between revisions of "Vinceslao Bonicoli"
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Mostly referred to simply as [[Signor Bonicoli]] in South Africa, but also known as "Maestre Bonicoli", "Cavaliere Bonicoli" or "Chevalier Bonicoli" in some sources. His name wrongly written as [[Venceslao Bonicoli]], in some cases. | Mostly referred to simply as [[Signor Bonicoli]] in South Africa, but also known as "Maestre Bonicoli", "Cavaliere Bonicoli" or "Chevalier Bonicoli" in some sources. His name wrongly written as [[Venceslao Bonicoli]], in some cases. | ||
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Born in Prato, Italy, in 1820, he was trained by Giuseppe Nuti at the local Scuola Comunale di Musica, he worked as a director of bands in Tuscany and Piemonte for a number of years, including the Concerto Cittadino Edoardo Chiti in Prato (1850-1853). | Born in Prato, Italy, in 1820, he was trained by Giuseppe Nuti at the local Scuola Comunale di Musica, he worked as a director of bands in Tuscany and Piemonte for a number of years, including the Concerto Cittadino Edoardo Chiti in Prato (1850-1853). | ||
| − | On the basis of his reputation and experience he was made the "direttore e ispettore" of British military bands in the Cape Colony at some time in the 1860s, a capacity in which he was often involved in theatrical events and celebratory performances. | + | On the basis of his reputation and experience he was made the "direttore e ispettore" of British military bands in the Cape Colony at some time in the 1860s, a capacity in which he was often involved in theatrical events and celebratory performances. Later in 1867, Bonicoli went to King William’s Town in the eastern Cape, and then in 1870 he returned to Italy where he was |
| + | knighted for his contribution to musical education in on 15 March, 1883. | ||
| − | + | For a discussion of his compositions and his South African period, see Becky L. Steltzner's doctoral thesis, ''The History of the Clarinet in South Africa'' (University of Cape Town, 2016): pp. 106-109[] | |
| − | + | by | |
| − | + | M.Mus. (University of Southern California) | |
| + | Thesis Presented | ||
He died on 16 November, 1897 and was buried in the English graveyard, the Cimitero Evangelico degli Allori, in Florence, Italy. | He died on 16 November, 1897 and was buried in the English graveyard, the Cimitero Evangelico degli Allori, in Florence, Italy. | ||
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Over the course of his stay in Cape Town, he was involved in a number of theatrical events, including. | Over the course of his stay in Cape Town, he was involved in a number of theatrical events, including. | ||
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| + | Becky L. Steltzner. 2016.''The History of the Clarinet in South Africa''. Unpublished doctoral thesis, University of Cape Town: pp. 106-109[https://www.google.co.za/search?biw=1324&bih=619&ei=cjn2W53TIMnEgQa7-rrwDA&q=Vinceslao+Bonicoli+compositions&oq=Vinceslao+Bonicoli+compositions&gs_l=psy-ab.3...18013.20753..21105...0.0..0.446.4118.2-6j5j2......0....1..gws-wiz.......33i160j33i21.eY-rYLcFXUo] | ||
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Revision as of 07:35, 22 November 2018
Vinceslao Bonicoli (1820-1897) was a 19th century Italian flautist and clarinetist, a composer of band music and director of military bands.
Mostly referred to simply as Signor Bonicoli in South Africa, but also known as "Maestre Bonicoli", "Cavaliere Bonicoli" or "Chevalier Bonicoli" in some sources. His name wrongly written as Venceslao Bonicoli, in some cases.
Born in Prato, Italy, in 1820, he was trained by Giuseppe Nuti at the local Scuola Comunale di Musica, he worked as a director of bands in Tuscany and Piemonte for a number of years, including the Concerto Cittadino Edoardo Chiti in Prato (1850-1853).
On the basis of his reputation and experience he was made the "direttore e ispettore" of British military bands in the Cape Colony at some time in the 1860s, a capacity in which he was often involved in theatrical events and celebratory performances. Later in 1867, Bonicoli went to King William’s Town in the eastern Cape, and then in 1870 he returned to Italy where he was knighted for his contribution to musical education in on 15 March, 1883.
For a discussion of his compositions and his South African period, see Becky L. Steltzner's doctoral thesis, The History of the Clarinet in South Africa (University of Cape Town, 2016): pp. 106-109[] by M.Mus. (University of Southern California) Thesis Presented
He died on 16 November, 1897 and was buried in the English graveyard, the Cimitero Evangelico degli Allori, in Florence, Italy.
Over the course of his stay in Cape Town, he was involved in a number of theatrical events, including.
Becky L. Steltzner. 2016.The History of the Clarinet in South Africa. Unpublished doctoral thesis, University of Cape Town: pp. 106-109[1]
http://www.corkcitylibraries.ie/fleischmann/AFJ/Aloys_Fleischmann_Music_in_Ireland_2013.pdf
https://www.findagrave.com/memorial/160524055/vinceslao-bonicoli
http://www.internetculturale.it/it/16/search?q=+Bonicoli&instance=metaindice&=Invia
