Difference between revisions of "The Returned Volunteer"
| Line 1: | Line 1: | ||
| − | ''[[ | + | ''[[Returned Volunteer]]'' is a Christy's style sketch |
| − | Also found are the titles ''[[Returned Volunteer]]'' and ''[[The Returned Volunteer from Abessynia]], probably the same work. | + | Also found are the titles ''[[The Returned Volunteer]]'' and ''[[The Returned Volunteer from Abessynia]], probably the same work. |
==The original text== | ==The original text== | ||
Revision as of 17:56, 27 September 2018
Returned Volunteer is a Christy's style sketch
Also found are the titles The Returned Volunteer and The Returned Volunteer from Abessynia, probably the same work.
Contents
The original text
A number of American performances of an Ethiopian sketch called Returned Volunteer are recorded by Mahar (1999: p. 159)They are listed for 22 May and 28 December, 1849 by the Virginia Serenaders; 9 December 1851 and 22 August 1853 by Wood's Minstrels.
Translations and adaptations
Performance history in South Africa
Circa 1868-1869 the Young Men’s Institute Amateur Christy’s of Cape Town performed a number of minstrelsy shows and so-called Ethiopian burlesques or Negro farces, that included a piece called The Returned Volunteer from Abessynia.
Sources
W.J. Mahar. 1999. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Volume 442 of Music in American life. University of Illinois Press, 1999: p. 159.[1]
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik.
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
