Difference between revisions of "The Returned Volunteer"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | Circa 1868-1869 the [[Young Men’s Institute Amateur Christy’s]] of Cape Town performed a number of [[minstrelsy]] shows and so-called [[Ethiopian burlesque]]s or [[Negro farces], that included a piece called ''[[The Returned Volunteer from Abessynia]]''. | + | Circa 1868-1869 the [[Young Men’s Institute Amateur Christy’s]] of Cape Town performed a number of [[minstrelsy]] shows and so-called [[Ethiopian burlesque]]s or [[Negro farces]], that included a piece called ''[[The Returned Volunteer from Abessynia]]''. |
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== Sources == | == Sources == | ||
Revision as of 05:32, 27 September 2018
The Returned Volunteer is a Christy's style sketch
Also found are the titles Returned Volunteer and The Returned Volunteer from Abessynia, probably the same work.
Contents
The original text
A number of American performances of an Ethiopian sketch called Returned Volunteer are recorded by Mahar (1999: p. 159)They are listed for 22 May and 28 December, 1849 by the Virginia Serenaders; 9 December 1851 and 22 August 1853 by Wood's Minstrels.
Translations and adaptations
Performance history in South Africa
Circa 1868-1869 the Young Men’s Institute Amateur Christy’s of Cape Town performed a number of minstrelsy shows and so-called Ethiopian burlesques or Negro farces, that included a piece called The Returned Volunteer from Abessynia.
Sources
W.J. Mahar. 1999. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Volume 442 of Music in American life. University of Illinois Press, 1999: p. 159.[1]
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik.
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