Difference between revisions of "Lilith"
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The text of the script and a description of the work (by [[Juanita Finestone-Praeg]]) has been published in ''Physical Intelligence Volume 1: Experiments in Physical Theatre'' ([[First Physical Theatre Company]], 2002). | The text of the script and a description of the work (by [[Juanita Finestone-Praeg]]) has been published in ''Physical Intelligence Volume 1: Experiments in Physical Theatre'' ([[First Physical Theatre Company]], 2002). | ||
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| + | [[Juanita Finestone-Praeg]]. 2002. ''Physical Intelligence Volume 1: Experiments in Physical Theatre''. Grahamstown: [[First Physical Theatre Company]]. | ||
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| + | [[Juanita Praeg]]. 2018. "Drifting: Reminiscing. Remembering. Reinventing. Reza" (Draft manuscript, courtesy of the author.) | ||
Revision as of 06:26, 30 June 2018
a collaborative danceplay by Gary Gordon and Reza de Wet (1952-2012).
In Lillith (1998), Reza evokes an archaic and archetypal underworld which describes the mythic betrayal of Lilith by Adam.
The text of the script and a description of the work (by Juanita Finestone-Praeg) has been published in Physical Intelligence Volume 1: Experiments in Physical Theatre (First Physical Theatre Company, 2002).
Juanita Finestone-Praeg. 2002. Physical Intelligence Volume 1: Experiments in Physical Theatre. Grahamstown: First Physical Theatre Company.
Juanita Praeg. 2018. "Drifting: Reminiscing. Remembering. Reinventing. Reza" (Draft manuscript, courtesy of the author.)
