Difference between revisions of "Liefde voor het Vaderland"

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==The original text==
 
==The original text==
  
Written for the [[Rederijkers]] circa 1871, it is possibly a local version of a dramatic sketch called ''[[Het Vaderland Roept]]'' ("the fatherland calls), performed by the Rederijkers, or a  local title for ''[[Max Havelaar, Een Strijder voor Recht en Billijkheid]]'', A.A. van der Stempel's adaptation of Multatuli's famous novel ''Max Havelaar'' (Published  in Amsterdam by G. Theod. Bom, 1871).  
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Written for the [[Rederijkers]] circa the 1870s-1880s, it is possibly a local version of a dramatic sketch called ''[[Het Vaderland Roept]]'' ("the fatherland calls), performed by the Rederijkers, or a  local title for ''[[Max Havelaar, Een Strijder voor Recht en Billijkheid]]'', A.A. van der Stempel's adaptation of Multatuli's famous novel ''Max Havelaar'' (Published  in Amsterdam by G. Theod. Bom, 1871).  
  
  

Revision as of 06:16, 7 March 2018

Liefde voor het Vaderland ("Love of the fatherland") is a dramatic sketch in three acts by A.A. van der Stempel Jr (fl 1860s-70s)

The original text

Written for the Rederijkers circa the 1870s-1880s, it is possibly a local version of a dramatic sketch called Het Vaderland Roept ("the fatherland calls), performed by the Rederijkers, or a local title for Max Havelaar, Een Strijder voor Recht en Billijkheid, A.A. van der Stempel's adaptation of Multatuli's famous novel Max Havelaar (Published in Amsterdam by G. Theod. Bom, 1871).


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Translations and adaptations

Performance history in South Africa

1886: Performed as Liefde voor het Vaderland in the Oddfellows Hall, Cape Town, by Aurora II on 4 August, with Een Huwelijks Advertensie, of De Geplaagde Schoolmeester (Broekhoff).

Sources

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 474

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