Difference between revisions of "Dulcie Howes"
| Line 23: | Line 23: | ||
[[ESAT Bibliography I|Inskip, Donald P.]], 1972. | [[ESAT Bibliography I|Inskip, Donald P.]], 1972. | ||
| − | == | + | == Sources== |
| + | |||
| + | The Dulcie Howes Papers, ''Manuscripts & Archives'', [[University of Cape Town]] Libraries (donated by [[Victoria Cawood]], List compiled by Karen Combrinck, 1997[https://www2.lib.uct.ac.za/mss/existing/Finding%20Aids/BC%201101%20Dulcie%20Howes%20Papers.htm] | ||
| + | |||
''Dulcie Howes: pioneer of ballet in South Africa''. Cape Town: Human & Rousseau; 1996. ISBN 0-7981-3651-0. | ''Dulcie Howes: pioneer of ballet in South Africa''. Cape Town: Human & Rousseau; 1996. ISBN 0-7981-3651-0. | ||
Revision as of 15:51, 8 March 2021
Dulcie Howes (18*-19*) was a ballet dancer, choreographer and administrator.
Biography
She was the ballet mistress of a ballet school in Cape Town. After the very successful opening of The Marriage of Figaro she was approached by professor William H. Bell to bring her ballet school under the wing of the College of Music, as the UCT Ballet School.
Contribution to South African theatre
Through the recommendation of Bell, Howes also became the next Director of the Little Theatre in Cape Town.
In 1950 she became involved in setting up the Maynardville Open-Air Theatre, both as organizer and choreographer, doing St Valentine’s Night and Les Diversions the UCT Ballet Company as part of the opening production of the venue on 1-3 December 1950.
[FdV, TH]
Sources
Inskip, Donald P., 1972.
Sources
The Dulcie Howes Papers, Manuscripts & Archives, University of Cape Town Libraries (donated by Victoria Cawood, List compiled by Karen Combrinck, 1997[1]
Dulcie Howes: pioneer of ballet in South Africa. Cape Town: Human & Rousseau; 1996. ISBN 0-7981-3651-0.
Return to ESAT Personalities H
Return to South African Theatre Personalities
Return to Main Page
