Difference between revisions of "Die Vrystaatse Toneelskool"
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| − | [[Die Vrystaatse Toneelskool]] was a training institution set up in Bloemfontein by [[Hendrik Hanekom]] (1893-1952) and [[Mathilde Hanekom]]. | + | [[Die Vrystaatse Toneelskool]] was a training institution set up in Bloemfontein by [[Hendrik Hanekom]] (1893-1952) and [[Mathilde Hanekom]] (1896-1976). |
Originally called ("The Free State Theatre School"), , including simply "[[Die Toneelskool]]", die [[Toneelskool van die Hanekoms]] [[Die Toneelskool van die Hanekoms]] and Die [[Hanekoms se Toneelskool]]. (the latter three all basically meaning the "Theatre school of the Hanekoms"). | Originally called ("The Free State Theatre School"), , including simply "[[Die Toneelskool]]", die [[Toneelskool van die Hanekoms]] [[Die Toneelskool van die Hanekoms]] and Die [[Hanekoms se Toneelskool]]. (the latter three all basically meaning the "Theatre school of the Hanekoms"). | ||
Revision as of 06:21, 30 November 2017
Die Vrystaatse Toneelskool was a training institution set up in Bloemfontein by Hendrik Hanekom (1893-1952) and Mathilde Hanekom (1896-1976).
Originally called ("The Free State Theatre School"), , including simply "Die Toneelskool", die Toneelskool van die Hanekoms Die Toneelskool van die Hanekoms and Die Hanekoms se Toneelskool. (the latter three all basically meaning the "Theatre school of the Hanekoms").
It was opened in September 1934, when Mathilde’s health became a concern and their daughter needed to go to school, and lasted a little more than 3 years. Basically it was a theatrical society which they used to put on 15 plays between 1934 and 1937, utilizing a number of local amateurs, many of whom went on to become important figures in amateur and professional theatre. Among the more prominent alumni were Kitty Maasdorp, Fred van Rooyen and J.J. van Rensburg.
The first production by the school turned out to be one of the great success stories of the Afrikaans theatre: Hanekom's portrayal of President Paul Kruger in D.C. Postma's historical and symbolic drama Oom Paul ("Uncle Paul"). (Hanekom later toured with a professional company, playing Oom Paul to a wider audience.)
They also did pieces by local author D.F. Malherbe (notably Amrach die Tollenaar and the dramtised verion of Hans die Skipper).
Sources
Ludwig Binge, 1969;
Hanekom, 19**
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