Difference between revisions of "Burlesque"
Line 14: | Line 14: | ||
− | Examples included: ''[[Hamlet the Dainty]]'', "an [[Ethiopian burlesque]] on Shakespeare's ''[[Hamlet]]''" by George W. H. Griffin (1829-1879); ''[[Othello]]'' an "[[Ethiopian burlesque]] in 3 Acts", ''[[Shylock, or De Old Clothes Merchant of Venice]]'' ("Grand Ethiopian [[Burlesque]]"), . | + | Examples included: ''[[Hamlet the Dainty]]'', "an [[Ethiopian burlesque]] on Shakespeare's ''[[Hamlet]]''" by George W. H. Griffin (1829-1879); ''[[Othello]]'' an "[[Ethiopian burlesque]] in 3 Acts", ''[[Shylock, or De Old Clothes Merchant of Venice]]'' ("Grand Ethiopian [[Burlesque]]"), ''[[Mazeppa]]'' ("Grand Ethiopian [[Burlesque]]"). |
== Sources == | == Sources == |
Revision as of 06:23, 19 September 2017
Burlesque is a term which refers to a literary, dramatic or musical work that caricatures the manner, style or subject of serious works and their subjects. Deriving from the Italian burla – a joke, ridicule or mockery. Another derivative from the Italian is burletta, which usually refers to a brief comic Italian (or, later, English) opera.
Often found in the case of Shakespeare's plays for example.
See also Travesty.
burlesque burletta
F.C.L. Bosman (1928, p. 394) notes a quaint paring of the two terms in the description of Dowling's 1834 travesty of Othello (Othello Travestie) as a "burlesque burletta".
Ethiopian burlesque
A particular form developed by the minstrelsy movement was the so-called Ethiopian burlesque, often played in black face, and popular in Cape Town in the mid 19th century. Also found as an Ethiopian opera, or Ethiopian sketch.
Examples included: Hamlet the Dainty, "an Ethiopian burlesque on Shakespeare's Hamlet" by George W. H. Griffin (1829-1879); Othello an "Ethiopian burlesque in 3 Acts", Shylock, or De Old Clothes Merchant of Venice ("Grand Ethiopian Burlesque"), Mazeppa ("Grand Ethiopian Burlesque").
Sources
"Burlesque" in Wikipedia (https://en.wikipedia.org/wiki/Burlesque)
"Burletta" in Wikipedia (https://en.wikipedia.org/wiki/Burletta)
William John Mahar. 1999. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press: pp. 159-161[1]
Go to ESAT Bibliography
Return to
Return to The South African Context/General Terminology and Thematic Entries
Return to South African Theatre/Terminology and Thematic Entries
Return to South African Film /Terminology and Thematic Entries
Return to South African Media/Terminology and Thematic Entries
Return to The ESAT Entries
Return to Main Page