Difference between revisions of "ESAT Bibliography Lew-Lim"
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| − | [[C. Lewis|Lewis, C.]] 1972. Yiddish theatre. Jewish Affairs, 27(5):31-32. May. | + | [[C. Lewis|Lewis, C.]] 1972. Yiddish theatre. ''Jewish Affairs'', 27(5):31-32. May. |
| − | [[J.H. Lewis|Lewis, J.H.]] 1980. Germanicus as tragiese held. Tydskrif vir Letterkunde, 18(3):133-138. | + | [[J.H. Lewis|Lewis, J.H.]] 1980. ''[[Germanicus]]'' as tragiese held. ''Tydskrif vir Letterkunde'', 18(3):133-138. |
| − | [[J.H. Lewis|Lewis, J.H.]] 1984. Jaar van die Vuur-os (W.A. de Klerk) Tydskrif vir Letterkunde, 22(4):136-149. | + | [[J.H. Lewis|Lewis, J.H.]] 1984. ''[[Jaar van die Vuur-os]]'' ([[W.A. de Klerk]]). ''Tydskrif vir Letterkunde'', 22(4):136-149. |
| − | [[Megan Lewis|Lewis, Megan]] 1998. Standard Bank National Arts Festival. Theatre Journal, 50(1):105-107. | + | [[Megan Lewis|Lewis, Megan]] 1998. Standard Bank [[National Arts Festival]]. ''Theatre Journal'', 50(1):105-107. |
| − | [[Megan Lewis|Lewis, Megan]] & Walen, Denise A. 2000. Performance review. Theatre Journal, 52(2):280. | + | [[Megan Lewis|Lewis, Megan]] & [[Denise A. Walen|Walen, Denise A.]] 2000. Performance review. ''Theatre Journal'', 52(2):280. |
| − | [[Megan Lewis|Lewis, Megan]] 2008a. Past, present, and future: a tense South Africa performs. PAJ: A Journal of Performance & Art, 30(89):93-101. | + | [[Megan Lewis|Lewis, Megan]] 2008a. Past, present, and future: a tense South Africa performs. ''PAJ: A Journal of Performance & Art'', 30(89):93-101. |
| − | [[Megan Lewis|Lewis, Megan]] 2008b. (Un)patriotic acts of an imagined community: the Klein Karoo Nasional Kunstefees (KKNK). Theatre Journal, 60(4):654-659. | + | [[Megan Lewis|Lewis, Megan]] 2008b. (Un)patriotic acts of an imagined community: the Klein Karoo Nasional Kunstefees ([[KKNK]]). ''Theatre Journal'', 60(4):654-659. |
| − | [[Megan Lewis|Lewis, Megan]] 2010. South Africa’s National Arts Festival. Theatre Journal, 62(2):275-280. | + | [[Megan Lewis|Lewis, Megan]] 2010. South Africa’s [[National Arts Festival]]. ''Theatre Journal'', 62(2):275-280. |
| − | [[ | + | [[Lewis Nkosi]] interviewed by [[Kevin Goddard]] 1992, in [[Goddard, Kevin|Kevin Goddard]] & [[Charles Wessels|Wessels, Charles]] (eds.). ''Out of Exile: South African Writers Speak: Interviews with [[Albie Sachs]], [[Lewis Nkosi]], [[Mbulelo Mzamane]], [[Breyten Breytenbach]], [[Denis Brutus]], [[Keorapetse Kgositsile]]''. Grahamstown, National English Literary Museum. 26-36. |
[[M. Libin|Libin, M.]] 2003. Can the subaltern be heard? Response and responsibility in South Africa’s human spirit. ''Textual Practice'', 17(1):119-140. | [[M. Libin|Libin, M.]] 2003. Can the subaltern be heard? Response and responsibility in South Africa’s human spirit. ''Textual Practice'', 17(1):119-140. | ||
| − | [[Elisabeth Lickindorf|Lickindorf, Elisabeth]] 1987. The verse music of | + | [[Elisabeth Lickindorf|Lickindorf, Elisabeth]] 1987. The verse music of [[Janet Suzman|Suzman]]’s ''Orhello''. ''Shakespeare in Southern Africa'', 1:69-71. |
[[Rozelle Liebenberg|Liebenberg, Rozelle]] 1977. Prinsipes van die kinderdrama in Suid-Afrika. Unpublished honour’s essay. Pretoria: University of Pretoria. | [[Rozelle Liebenberg|Liebenberg, Rozelle]] 1977. Prinsipes van die kinderdrama in Suid-Afrika. Unpublished honour’s essay. Pretoria: University of Pretoria. | ||
| − | [[Daniel Lieberfeld|Lieberfeld, Daniel]] 1997. [[ | + | [[Daniel Lieberfeld|Lieberfeld, Daniel]] 1997. [[Pieter-Dirk Uys]]: crossing apartheid lines. ''The Drama Review'', 41(1):61-71. |
[[Susan Lieberman|Lieberman, Susan]] 1985. Jumping into madness: South Africa’s [[Market Theatre]] against Apartheid. ''Theatre Crafts'', 19(8):38-41, 57-61. | [[Susan Lieberman|Lieberman, Susan]] 1985. Jumping into madness: South Africa’s [[Market Theatre]] against Apartheid. ''Theatre Crafts'', 19(8):38-41, 57-61. | ||
| Line 44: | Line 44: | ||
[[J. Lieskounig|Lieskounig, J.]] 1985. Act it out! : theatrical scenes for language teaching in conversation classes. ''Journal for Language Teaching'', 19(2):11-16. | [[J. Lieskounig|Lieskounig, J.]] 1985. Act it out! : theatrical scenes for language teaching in conversation classes. ''Journal for Language Teaching'', 19(2):11-16. | ||
| − | Lighting the stage: a guide to the type of equipment available and its location in the theatre. 1986. ''Scenaria'', (61):35-37. | + | Lighting the stage: a guide to the type of equipment available and its location in the theatre. 1986. ''[[Scenaria]]'', (61):35-37. |
[[T. Lijphart-Bezuidenhout|Lijphart-Bezuidenhout, T.]] 1972. Onderveldse dorpstonele. ''Standpunte'', 25(4):8-21. April. | [[T. Lijphart-Bezuidenhout|Lijphart-Bezuidenhout, T.]] 1972. Onderveldse dorpstonele. ''Standpunte'', 25(4):8-21. April. | ||
Revision as of 10:53, 12 March 2011
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L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
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Lewis, C. 1972. Yiddish theatre. Jewish Affairs, 27(5):31-32. May.
Lewis, J.H. 1980. Germanicus as tragiese held. Tydskrif vir Letterkunde, 18(3):133-138.
Lewis, J.H. 1984. Jaar van die Vuur-os (W.A. de Klerk). Tydskrif vir Letterkunde, 22(4):136-149.
Lewis, Megan 1998. Standard Bank National Arts Festival. Theatre Journal, 50(1):105-107.
Lewis, Megan & Walen, Denise A. 2000. Performance review. Theatre Journal, 52(2):280.
Lewis, Megan 2008a. Past, present, and future: a tense South Africa performs. PAJ: A Journal of Performance & Art, 30(89):93-101.
Lewis, Megan 2008b. (Un)patriotic acts of an imagined community: the Klein Karoo Nasional Kunstefees (KKNK). Theatre Journal, 60(4):654-659.
Lewis, Megan 2010. South Africa’s National Arts Festival. Theatre Journal, 62(2):275-280.
Lewis Nkosi interviewed by Kevin Goddard 1992, in Kevin Goddard & Wessels, Charles (eds.). Out of Exile: South African Writers Speak: Interviews with Albie Sachs, Lewis Nkosi, Mbulelo Mzamane, Breyten Breytenbach, Denis Brutus, Keorapetse Kgositsile. Grahamstown, National English Literary Museum. 26-36.
Libin, M. 2003. Can the subaltern be heard? Response and responsibility in South Africa’s human spirit. Textual Practice, 17(1):119-140.
Lickindorf, Elisabeth 1987. The verse music of Suzman’s Orhello. Shakespeare in Southern Africa, 1:69-71.
Liebenberg, Rozelle 1977. Prinsipes van die kinderdrama in Suid-Afrika. Unpublished honour’s essay. Pretoria: University of Pretoria.
Lieberfeld, Daniel 1997. Pieter-Dirk Uys: crossing apartheid lines. The Drama Review, 41(1):61-71.
Lieberman, Susan 1985. Jumping into madness: South Africa’s Market Theatre against Apartheid. Theatre Crafts, 19(8):38-41, 57-61.
Liefhebber skuilnaam 1956. Afrikaanse toneel: kom ons praat reguit. Helikon, 6(23):66-69.
Lieskounig, J. 1985. Act it out! : theatrical scenes for language teaching in conversation classes. Journal for Language Teaching, 19(2):11-16.
Lighting the stage: a guide to the type of equipment available and its location in the theatre. 1986. Scenaria, (61):35-37.
Lijphart-Bezuidenhout, T. 1972. Onderveldse dorpstonele. Standpunte, 25(4):8-21. April.
Lilley, E. 1979. Founding of the South African Association for Drama and Youth Theatre. Crux, 13(3):8-9. October.
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
