Difference between revisions of "Oroonoko"

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According to  Southerne's version was apparently adapted as ''[[The Revolt of Surinam, or A Slave's Revenge]]'', the play in which [[Ira Aldridge]]  made his London debut (under the stage name "Keene") at London's Royal Coburg Theatre, on October 10, 1825.
 
According to  Southerne's version was apparently adapted as ''[[The Revolt of Surinam, or A Slave's Revenge]]'', the play in which [[Ira Aldridge]]  made his London debut (under the stage name "Keene") at London's Royal Coburg Theatre, on October 10, 1825.
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Though it is doubtful that it was the same play, the Aldridge version may have been the source of the title (''[[The Slave, or The Revolt of Surinam]]'', ) used for a Cape Town production of  Morton's ''[[The Slave]]'' in 1833.
  
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==
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== Sources ==
 
== Sources ==
  
[[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp.
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[[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 224
  
  

Revision as of 06:19, 20 June 2017

Oroonoko is a tragedy by Thomas Southerne

The original text

Based on the novel Oroonoko by Aphra Behn (1640–1689), it was originally staged in 1695.

Translations and adaptations

According to Southerne's version was apparently adapted as The Revolt of Surinam, or A Slave's Revenge, the play in which Ira Aldridge made his London debut (under the stage name "Keene") at London's Royal Coburg Theatre, on October 10, 1825.

Though it is doubtful that it was the same play, the Aldridge version may have been the source of the title (The Slave, or The Revolt of Surinam, ) used for a Cape Town production of Morton's The Slave in 1833.

Performance history in South Africa

Sources

F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 224


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