Difference between revisions of "Eunice Reyneke"
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She joined the [[HSRC]]’s [[Centre for South African Theatre Research]] ('''CESAT''') as a researcher and documentarian in 1980s. Helped found the [[South African Theatre Journal]] (she was technical editor for two years), helped edit ''[[Die Breytie Boek|The Breytie Book]]'' ([[Temple Hauptfleisch|Hauptfleisch]], 1985) and wrote a masters thesis on the methodology of theatre research, which was published by the [[HSRC]] in 1986 as ''Teatergeskiedskrywing: 'n kultuurfilosofiese verkenning'' (Theatre Research: A cultural-historical exploration"). | She joined the [[HSRC]]’s [[Centre for South African Theatre Research]] ('''CESAT''') as a researcher and documentarian in 1980s. Helped found the [[South African Theatre Journal]] (she was technical editor for two years), helped edit ''[[Die Breytie Boek|The Breytie Book]]'' ([[Temple Hauptfleisch|Hauptfleisch]], 1985) and wrote a masters thesis on the methodology of theatre research, which was published by the [[HSRC]] in 1986 as ''Teatergeskiedskrywing: 'n kultuurfilosofiese verkenning'' (Theatre Research: A cultural-historical exploration"). | ||
| − | + | Published articles and gave lectures on theatre research methodology and theatre history for a number of years and acted as advisor and contributor to various publications on South African theatre history. | |
| − | Published articles and gave lectures on theatre research methodology and theatre history for a number of years and acted as advisor and contributor to various publications on South African theatre history. | ||
==Sources== | ==Sources== | ||
Revision as of 12:36, 22 May 2017
Eunice Reyneke (19**- ) is a theatre historian and theorist.
Her name occasionally found wrongly spelled as Eunice Reynecke, and she also published as Eunice van Rooyen, Eunice Fourie and Eunice Malan.
Contents
Biography
Trained as cultural historian at the University of Pretoria
Married inter alia to South African theatre personalities Pieter-Paul Fourie and Charles Malan.
Contribution to South African theatre, film, media and performance
She joined the HSRC’s Centre for South African Theatre Research (CESAT) as a researcher and documentarian in 1980s. Helped found the South African Theatre Journal (she was technical editor for two years), helped edit The Breytie Book (Hauptfleisch, 1985) and wrote a masters thesis on the methodology of theatre research, which was published by the HSRC in 1986 as Teatergeskiedskrywing: 'n kultuurfilosofiese verkenning (Theatre Research: A cultural-historical exploration").
Published articles and gave lectures on theatre research methodology and theatre history for a number of years and acted as advisor and contributor to various publications on South African theatre history.
Sources
Go to the ESAT Bibliography
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Return to ESAT Personalities R
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