Difference between revisions of "Getrouw tot in den Dood"

From ESAT
Jump to navigation Jump to search
Line 9: Line 9:
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==
  
1826: Performed by [[Door Yver Vruchtbaar]] on 22nd August in Cape Town, as an afterpiece to ''[[Het Schandmerk, of De Twee Galeiboeven]]''.  
+
1826: Performed by [[Door Yver Vruchtbaar]] on 22nd August in Cape Town, as an afterpiece to ''[[Les Deux Forçats, ou La Meunière du Puy de Dôme|Het Schandmerk, of De Twee Galeiboeven]]''.  
  
 
1849: Performed by [[Hoop en Trouw]] in the [[African Theatre]], Cape Town on 8 May , as afterpiece to  ''[[De Onechte Dochter]]'' (J.P. Meijer).
 
1849: Performed by [[Hoop en Trouw]] in the [[African Theatre]], Cape Town on 8 May , as afterpiece to  ''[[De Onechte Dochter]]'' (J.P. Meijer).

Revision as of 06:02, 26 February 2017

Getrouw tot in den Dood ("faithful unto death") is a Dutch two-act comedy, including a dance, by Marten Westerman (1775-1852)[1].

The original text

Published by J. Dóll, Amsterdam, in 1806 in the series Zedelijk schouwtooneel der menschelyke hartstochten en daaden

Translations and adaptations

Performance history in South Africa

1826: Performed by Door Yver Vruchtbaar on 22nd August in Cape Town, as an afterpiece to Het Schandmerk, of De Twee Galeiboeven.

1849: Performed by Hoop en Trouw in the African Theatre, Cape Town on 8 May , as afterpiece to De Onechte Dochter (J.P. Meijer).

1849: Performed by Hoop en Trouw in the Hope Street Theatre on 23rd July as afterpiece to Claudine (Van der Willigen).

Sources

F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [2]: pp. 251; 375; 453-4; 497

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page