Difference between revisions of "J. Riaux"
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[[J. Riaux]] (17**-18**) was a French theatrical entrepeneur, director and dance instructor at the Cape during the early 1800s. (Also listed by Bosman (1928, p. 129) as [[M.J. Riaux]], but this could have been a misreading of the French use of "M." for "Monsieur", i.e. thus "Monsieur J. Riaux".) | [[J. Riaux]] (17**-18**) was a French theatrical entrepeneur, director and dance instructor at the Cape during the early 1800s. (Also listed by Bosman (1928, p. 129) as [[M.J. Riaux]], but this could have been a misreading of the French use of "M." for "Monsieur", i.e. thus "Monsieur J. Riaux".) | ||
| − | A key member of the French movement in the Cape theatre, he performed for [[C.E. Boniface]] in the early part of the entrepreneur's Cape Town career, beginning with pieces like ''[[Les Plaideurs]]'' (Racine) and ''[[Le Derviche]]'' (De Saint-Foix) in 1809. A performance on 29 August 1809, of ''[[Les Précieuses ridicules]]'' (Molière), and something called ''[[Cantasmagorie]]'' (possibly a misspelling of ''[[La Fantasmagorie]]''), was done as a benefit for Riaux. | + | A key member of the French movement in the Cape theatre, he performed for [[C.E. Boniface]] and in the early part of the entrepreneur's Cape Town career, beginning with pieces like ''[[Les Plaideurs]]'' (Racine) and ''[[Le Derviche]]'' (De Saint-Foix) in 1809. A performance on 29 August 1809, of ''[[Les Précieuses ridicules]]'' (Molière), and something called ''[[Cantasmagorie]]'' (possibly a misspelling of ''[[La Fantasmagorie]]''), was done as a benefit for Riaux. |
His young dance pupils performed many ballet pieces and pantomimes as part of many of the theatrical events in this period, and also as independent productions. | His young dance pupils performed many ballet pieces and pantomimes as part of many of the theatrical events in this period, and also as independent productions. | ||
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== Sources == | == Sources == | ||
| − | [[F.C.L. | + | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp.49, 84, 125-129, 137, 171, 174. |
| − | Go to [[ | + | Go to [[ESAT Bibliography]] |
== Return to == | == Return to == | ||
| − | Return to [[ESAT Personalities R]] | + | Return to [[ESAT Personalities R]] |
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
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Return to [[Main Page]] | Return to [[Main Page]] | ||
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Revision as of 06:50, 23 August 2016
J. Riaux (17**-18**) was a French theatrical entrepeneur, director and dance instructor at the Cape during the early 1800s. (Also listed by Bosman (1928, p. 129) as M.J. Riaux, but this could have been a misreading of the French use of "M." for "Monsieur", i.e. thus "Monsieur J. Riaux".)
A key member of the French movement in the Cape theatre, he performed for C.E. Boniface and in the early part of the entrepreneur's Cape Town career, beginning with pieces like Les Plaideurs (Racine) and Le Derviche (De Saint-Foix) in 1809. A performance on 29 August 1809, of Les Précieuses ridicules (Molière), and something called Cantasmagorie (possibly a misspelling of La Fantasmagorie), was done as a benefit for Riaux.
His young dance pupils performed many ballet pieces and pantomimes as part of many of the theatrical events in this period, and also as independent productions.
He also collaborated with the music teacher L.H. Meurant on such fantasy pieces, including a Fantasmagorie (2 December, 1809), Le Somnambule ou Orgia (Pont-de-Vesle), Het Liefdesnest (Riaux and Meurant), Le Baiser (Florian), etc.
Sources
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp.49, 84, 125-129, 137, 171, 174.
Go to ESAT Bibliography
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Return to ESAT Personalities R
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
