Difference between revisions of "Getrouw tot in den Dood"
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== Sources == | == Sources == | ||
| − | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 251; 453-4; | + | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 251; 375; 453-4; 497 |
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] | ||
Revision as of 06:00, 26 February 2017
Getrouw tot in den Dood ("faithful unto death") is a Dutch two-act comedy, including a dance, by Marten Westerman (1775-1852)[1].
Contents
The original text
Published by J. Dóll, Amsterdam, in 1806 in the series Zedelijk schouwtooneel der menschelyke hartstochten en daaden
Translations and adaptations
Performance history in South Africa
1826: Performed by Door Yver Vruchtbaar on 22nd August in Cape Town, as an afterpiece to Het Schandmerk, of De Twee Galeiboeven.
1849: Performed by Hoop en Trouw in the African Theatre, Cape Town on 8 May , as afterpiece to De Onechte Dochter (J.P. Meijer).
1849: Performed by Hoop en Trouw in the Hope Street Theatre on 23rd July as afterpiece to Claudine (Van der Willigen).
Sources
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [2]: pp. 251; 375; 453-4; 497
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
