Difference between revisions of "ESAT Bibliography Fla-Fly"
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| − | Fleishman, Mark | + | [[Mark Fleishman|Fleishman, Mark]] 1990. Workshop theatre as oppositional form. South African Theatre Journal, 4(1):88-118. |
| − | Fleishman, Mark 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Unpublished master’s thesis. Cape Town: University of Cape Town. | + | [[Mark Fleishman|Fleishman, Mark]] 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Unpublished master’s thesis. Cape Town: University of Cape Town. |
| − | Fleishman, Mark 1996. Physical images in the South African theatre, in Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 173-182. | + | [[Mark Fleishman|Fleishman, Mark]] 1996. Physical images in the South African theatre, in Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 173-182. |
| − | Fleishman, Mark 1997 Physical images in the South African theatre. South African Theatre Journal, 11(1&2):199-214. | + | [[Mark Fleishman|Fleishman, Mark]] 1997 Physical images in the South African theatre. South African Theatre Journal, 11(1&2):199-214. |
| − | Fleishman, Mark | + | [[Mark Fleishman|Fleishman, Mark]] 1998. Making People’s Theatre, by Robert Mshengu Kavanagh. Reviewed in: South African Theatre Journal, 12(1&2):253-256. |
| − | Fleishman, Mark 2001. Unspeaking the centre, in Kriger, Robert & Zegeye, Abebe (eds.). Culture in The New South Africa: After Apartheid. Vol.2. Cape Town: Kwela Books. 91-115. | + | [[Mark Fleishman|Fleishman, Mark]] 2001. Unspeaking the centre, in Kriger, Robert & Zegeye, Abebe (eds.). Culture in The New South Africa: After Apartheid. Vol.2. Cape Town: Kwela Books. 91-115. |
| − | Fleishman, Mark & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African Theatre Journal, 21:149-165. | + | [[Mark Fleishman|Fleishman, Mark]] & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African Theatre Journal, 21:149-165. |
| − | Fleishman, Mark 2009. Knowing performance: performance as knowledge paradigm for Africa. South African Theatre Journal, 23:116-136. | + | [[Mark Fleishman|Fleishman, Mark]] 2009. Knowing performance: performance as knowledge paradigm for Africa. South African Theatre Journal, 23:116-136. |
Fletcher, D. 1976. Etienne Rousseau theatre. South African Builder. 55(1):14-15. January. | Fletcher, D. 1976. Etienne Rousseau theatre. South African Builder. 55(1):14-15. January. | ||
| Line 34: | Line 34: | ||
Fletcher, Jill 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg. | Fletcher, Jill 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg. | ||
| − | Flockemann, Miki 1991. Gcina Mhlope’s Have you seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Apartheid South Africa. South African Theatre Journal, 5(2):40-54. | + | [[Miki Flockemann|Flockemann, Miki]] 1991. Gcina Mhlope’s Have you seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Apartheid South Africa. South African Theatre Journal, 5(2):40-54. |
| − | Flockemann, Miki 1994a. Imagining Women: Cultural Representation and Gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African Theatre Journal, 8(1):81-83. | + | [[Miki Flockemann|Flockemann, Miki]] 1994a. Imagining Women: Cultural Representation and Gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African Theatre Journal, 8(1):81-83. |
| − | Flockemann, Miki 1994b. A situated perspective on contemporary feminist theatres. Studies in Theatre Production, 10:31-38. | + | [[Miki Flockemann|Flockemann, Miki]] 1994b. A situated perspective on contemporary feminist theatres. Studies in Theatre Production, 10:31-38. |
| − | Flockemann, Miki 1996a. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition. In Wittenberg, Hermann & Nas, Loes (eds.) AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, p. 131-142. | + | [[Miki Flockemann|Flockemann, Miki]] 1996a. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition. In Wittenberg, Hermann & Nas, Loes (eds.) AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, p. 131-142. |
| − | Flockemann, Miki 1996b. Medeas from Corinth and Cape-Town: cross-cultural encounters, theatre, and the teaching context. Alternation, 3(1):82-93. | + | [[Miki Flockemann|Flockemann, Miki]] 1996b. Medeas from Corinth and Cape-Town: cross-cultural encounters, theatre, and the teaching context. Alternation, 3(1):82-93. |
| − | Flockemann, Miki 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts. Journal for Llanguage Teaching, 31(3):276-283. | + | [[Miki Flockemann|Flockemann, Miki]] 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts. Journal for Llanguage Teaching, 31(3):276-283. |
| − | Flockemann, | + | [[Miki Flockemann|Flockemann, Miki]] 1998a. Categories and cultural continuums: a response to ‘Theatre and Society in South Africa’, by Temple Hauptfleisch. Reviewed in: South African Theatre Journal, 12(1&2):244-252 |
| − | Flockemann | + | [[Miki Flockemann|Flockemann, Miki]] 1998b. White men with weapons, Black women with dresses: The TRC and refashioning myths of identity. JTD: Journal of Theatre and Drama, 4:7-22. |
| − | Flockemann Miki & Mazibuko T. 1999a. Between women -- an interview with Gcina Mhlophe. Contemporary Theatre Review, 9(1):41. | + | [[Miki Flockemann|Flockemann, Miki]] & Mazibuko T. 1999a. Between women -- an interview with Gcina Mhlophe. Contemporary Theatre Review, 9(1):41. |
| − | Flockemann Miki 1999b. Getting harder? From post-Soweto to post-election: South African theatre and the politics of gender. Contemporary Theatre Review, 9(3):37. | + | [[Miki Flockemann|Flockemann, Miki]] 1999b. Getting harder? From post-Soweto to post-election: South African theatre and the politics of gender. Contemporary Theatre Review, 9(3):37. |
| − | Flockemann Miki 1999c. On not giving up -- an interview with Fatima Dike. Contemporary Theatre Review, 9(1):17. | + | [[Miki Flockemann|Flockemann, Miki]] 1999c. On not giving up -- an interview with Fatima Dike. Contemporary Theatre Review, 9(1):17. |
| − | Flockemann, Miki 2001 The aesthetics of transformation: reading strategies for South African theatre entering the new millennium. South African Theatre Journal, 15:25-39. | + | [[Miki Flockemann|Flockemann, Miki]] 2001 The aesthetics of transformation: reading strategies for South African theatre entering the new millennium. South African Theatre Journal, 15:25-39. |
| − | Flockemann, Miki 2002. Translations, affirmations, inventions and subversions: Grahamstown 2002. South African Theatre Journal, 16:198-207. | + | [[Miki Flockemann|Flockemann, Miki]] 2002. Translations, affirmations, inventions and subversions: Grahamstown 2002. South African Theatre Journal, 16:198-207. |
Revision as of 17:04, 18 January 2011
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Fleishman, Mark 1990. Workshop theatre as oppositional form. South African Theatre Journal, 4(1):88-118.
Fleishman, Mark 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Unpublished master’s thesis. Cape Town: University of Cape Town.
Fleishman, Mark 1996. Physical images in the South African theatre, in Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 173-182.
Fleishman, Mark 1997 Physical images in the South African theatre. South African Theatre Journal, 11(1&2):199-214.
Fleishman, Mark 1998. Making People’s Theatre, by Robert Mshengu Kavanagh. Reviewed in: South African Theatre Journal, 12(1&2):253-256.
Fleishman, Mark 2001. Unspeaking the centre, in Kriger, Robert & Zegeye, Abebe (eds.). Culture in The New South Africa: After Apartheid. Vol.2. Cape Town: Kwela Books. 91-115.
Fleishman, Mark & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African Theatre Journal, 21:149-165.
Fleishman, Mark 2009. Knowing performance: performance as knowledge paradigm for Africa. South African Theatre Journal, 23:116-136.
Fletcher, D. 1976. Etienne Rousseau theatre. South African Builder. 55(1):14-15. January.
Fletcher, Jill 1990. Puppetry, a Guide for Beginners, by Marie Kruger. Reviewed in: South African Theatre Journal, 4(2):114.
Fletcher, Jill 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg.
Flockemann, Miki 1991. Gcina Mhlope’s Have you seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Apartheid South Africa. South African Theatre Journal, 5(2):40-54.
Flockemann, Miki 1994a. Imagining Women: Cultural Representation and Gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African Theatre Journal, 8(1):81-83.
Flockemann, Miki 1994b. A situated perspective on contemporary feminist theatres. Studies in Theatre Production, 10:31-38.
Flockemann, Miki 1996a. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition. In Wittenberg, Hermann & Nas, Loes (eds.) AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, p. 131-142.
Flockemann, Miki 1996b. Medeas from Corinth and Cape-Town: cross-cultural encounters, theatre, and the teaching context. Alternation, 3(1):82-93.
Flockemann, Miki 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts. Journal for Llanguage Teaching, 31(3):276-283.
Flockemann, Miki 1998a. Categories and cultural continuums: a response to ‘Theatre and Society in South Africa’, by Temple Hauptfleisch. Reviewed in: South African Theatre Journal, 12(1&2):244-252
Flockemann, Miki 1998b. White men with weapons, Black women with dresses: The TRC and refashioning myths of identity. JTD: Journal of Theatre and Drama, 4:7-22.
Flockemann, Miki & Mazibuko T. 1999a. Between women -- an interview with Gcina Mhlophe. Contemporary Theatre Review, 9(1):41.
Flockemann, Miki 1999b. Getting harder? From post-Soweto to post-election: South African theatre and the politics of gender. Contemporary Theatre Review, 9(3):37.
Flockemann, Miki 1999c. On not giving up -- an interview with Fatima Dike. Contemporary Theatre Review, 9(1):17.
Flockemann, Miki 2001 The aesthetics of transformation: reading strategies for South African theatre entering the new millennium. South African Theatre Journal, 15:25-39.
Flockemann, Miki 2002. Translations, affirmations, inventions and subversions: Grahamstown 2002. South African Theatre Journal, 16:198-207.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
