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| − | Sichel, A. Francois Swart : teaterdinamo. De kat, (5) : 34-37.
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| − | Sichel, Adrienne 1987. The Grahamstown Festival. South African theatre journal, 1(1):118-124
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| − | Sichel, Adrienne 1987. The Grahamstown Festival. South African theatre journal, 1(2):82-86
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| − | Sichel, Adrienne 1989. The 1989 Grahamstown Festival. South African theatre journal, 3(2):116-120; 72-90
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| − | Sichel, Adrienne 1990. The Grahamstown Festival. South African theatre journal, 4(2):115-117
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| − | Sichel, Adrienne 1988. The 1988 Grahamstown Festival. South African theatre journal, 2(2):89-104.
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| − | SICHERMAN, CAROL. 1994. Drama and health education in Uganda: An interview with Rose Mbowa. South African theatre journal, 8(1):63-67.
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| − | SICHERMAN, CAROL. 1999. Drama and aids education in Uganda: An interview with Rose Mbowa. South African theatre journal, 13(1&2):111-117.
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| − | Sieberts, Elize 1947. Agter die skerms met Hamlet. Ruiter, 1(1): 60-61. May 9.
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| − | Sides, D.B. Analysis of the functional basis for theatre planning today. South African architectural record, 5(8): 16-17.
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| − | Siegfried Mynhardt. 1981. Scenaria, Special issue: 29.
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| − | Siener in die suburbs. [Literary criticism]. 1972. Huisgenoot, 42(2609): 87-89. April 14.
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| − | Siener in die suburbs. [Literary criticism]. 1972. Taalgenoot, 41(3): 23. February.
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| − | Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s Truth and Reconciliation Commission. In Gobodo-Madikizela, Pumla (ed. and preface); Van der Merwe, Chris (ed. and preface); Minow, Martha (foreword) Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past. Newcastle upon Tyne, England: Cambridge Scholars; 321-340.
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| − | SILBERT, RACHEL. 1964. Southern African Drama in English: an Annotated Bibliography. Johannesburg: University of the Witwatersrand Press.
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| − | Silverstone, Catherine 2009. ‘Honour the real thing’: Shakespeare, trauma and Titus Andronicus in South Africa. Shakespeare survey, 62: 46-57.
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| − | Singer, Jacqui 2009. Searching the silences for the sounds of a “new poetics” in the female voice. South African theatre journal, 23: 68-83.
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| − | Sirayi, Mzo 1996. Oral African drama in South Africa: the Xhosa indigenous drama forms. South African theatre journal, 10(1): 49-61.
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| − | Sitas, Ari 1986. Culture and production: the contradictions of working class theatre in South Africa. Africa perspective NS 1(1-2): 84-110.
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| − | Skordis, R. 2003. Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process. Stellenbosch: University of Stellenbosch. (M (Dram)-thesis.)
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| − | SLABBER, C. 1976. Stel Teater en Verhoog nou aan almal in SA oop, vra grotes. Rapport, 29 Augustus: 21.
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| − | Slabbert, A. 1993. Modern theatre and the quest for God : a comparative study of the plays of Eugene O'Neill and Bartho Smit . Stellenbosch: University of Stellenbosch. (M(Dram)-thesis.)
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| − | SLOSBERG, B. 1939. Pagan Tapestry. London: Rich and Cravan.
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| − | SMALL, Adam. 1961. Die Eerste Steen. Cape Town: HAUM.
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| − | Small, G.R. 1979. Architect’s appraisal: the Hexagon theatre, University of Natal, Pietermaritzburg. Architecture South Africa, 5:9-11. June.
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| − | Small, G.R. 1984. Durban’s provincial theatre complex under construction. Plann build dev, 68 : 5-8.
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| − | Smith, Anna Deavere 1995. This is where the life is: impressions of the new South Africa. (Interview with the Market Theatre artistic director Barney Simon). American theatre, 12(5): 14-22.
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| − | Smith, Charles. 2001. Pacofs-tariefverhoging kan kunste in VS knou. In: Volksblad, January 17, 2001: 1.
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| − | Smith, I. & Van Heerden, J. 1977. Markgebou en sterrewag is nou teaters. Huisgenoot, 34-37. January 21.
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| − | SMITH, J.F. 1981. Gesag en Onderdanigheid in die Dramas van Bartho Smit. Ongepubliseerde MA-tesis. U.W.K.
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| − | Smith, M.E. 1987. Aantekeninge oor die eenbedrywe in Kollig.Klasgids: By die Studie van die Afrikaanse Taal en Letterkunde 22 (3): 40-48.
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| − | SMUTS, J P. 1990. Die musikale interteks by Die rebellie van Lafras Verwey. South African theatre journal, 4(1): 149-158.
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| − | Smuts, J.P. 1993. Die aand van die fynproewer deur A.S. van Straaten. Reviewed in: South African theatre journal, 7(2): 136-139.
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| − | Snow, Leida 1990. South African director encounters the Shuberts in the classroom. Theater week, 3(29): 31-32. February 26.
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| − | Snowball, J.D. 2008. The impact of a change in ticket price on the demand for university live theatre: an illustrative case study of the Young Directors’ season at Rhodes Univesrity. South African theatre journal, 22: 119-129.
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| − | SNOWBALL, Jeanette. D. 2008 Measuring the Value of Culture. Methods and examples in Cultural Economics (A study of the Grahamstown festival) Berlin: Springer-Verlag.
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| − | Snowball, J.D. & Antrobus, G.G. 2009. The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits. South African theatre journal, 23: 53-67.
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| − | Snyman, H. 1970. Vyfling: T.T. Cloete. Unie, 67: 30-34.
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| − | Snyman, Henning 1994. Kabaret: ‘n literêre grensgeval. South African theatre journal, 8(2): 27-37.
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| − | Snyman, Maritha 1996. ‘n Pot vol winter : woordteks tot getransponeerde beeldteks. Tydskrif vir letterkunde, 32(21) : 43-60.
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| − | SOLE, KELWYN. 1984. Black Literature and Performance: Some Notes on Class and Populism. South African Labour Bulletin 9 (8): 54-76.
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| − | Stead, Rinie 1967. Portret van ‚n toneelpionier: hulde aan P.P. Breytenbach. Lantern, 17(2): 2-19.
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