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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
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| − | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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| − | Heaney, Bobby 2006. Cross-pollinating skills: directing for theatre, television and film. South African theatre journal, 20: 221-232.
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| − | Heathcote, Dorothy 1988. Role protection and controls in drama teaching. Education bulletin, 3: 49-51.
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| − | Hees, Edwin 1990. The best of company – the story of Johannesburg’s Market Theatre, by Pat Schwartz. Reviewed in: South African theatre journal, 4(1): 167-171.
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| − | Hees, Edwin 1995a. Mooi street and other moves by Paul Slabolepszy. Reviewed in: South African theatre journal, 9(1): 113-118.
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| − | Hees, Edwin 1995b. The story of South African theatre 1780 – 1930, by Jill Fletcher. Reviewed in: South African theatre journal, 9(1): 113-118.
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| − | Hees, Edwin. 1997a. The play: a manual, by Marisa Keuris. Reviewed in: South African theatre journal, 11(1&2): 305-308.
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| − | Hees, Edwin 1997b. Woza Shakespeare! Titus Andronicus in South Africa, by Antony Sher & Gregory Doran. Reviewed in: South African theatre journal, 11(1&2): 298-304.
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| − | Hees, Edwin 1998. Church and stage in Victorian England, by Richard Foulkes. Reviewed in: South African theatre journal, 12(1&2): 230-236.
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| − | Hees, Edwin 1999. Post-colonial Shakespeare, edited by Ania Loomba & Martin Orkin. Reviewed in: South African theatre journal, 13(1&2): 202-205.
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| − | Hees, Edwin 2001. The drama of South Africa. Plays, pageants and publics since 1910, by Loren Kruger. Reviewed in: South African theatre journal, 15: 192-194.
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| − | Hees, Edwin 2002a. The Oxford companion to Shakespeare, by M. Dobson & S. Wells. Reviewed in: South African theatre journal, 16: 248 – 250.
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| − | Hees, Edwin. 2002b. Who Wrote That? A Dictionary of writers and their works, by M. Cox. Reviewed in: South African theatre journal, 16: 248 – 250.
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| − | Helen Bourne – a profile. 1978. Scenaria, February/March: 39-40.
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| − | HENDRIKS, FRANK S. 1978. ‘n Sinchronies-diachroniese studie van taalgebruik in “Kanna hy kô hystoe” van Adam Small. Unpublished M.a. dissertation. Bellville: University of the Western Cape.
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| − | Henning, Elizabeth 1980. Dramatiese spel in senior primêre onderrig. Pretoria: Universiteit van Pretoria. (MA Thesis).
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| − | Henning, E. 1991. Drama-making in E.S.L. teaching: the need for classroom-based research.
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| − | Henning, Elbie 1988. Teater vir die voorskoolse kind. Kleuterklanke, 13(1): 25-26. June.
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| − | Henning, Willemien & Henning, c. 1968. Twee doodgewone sestigers. [Cobus en Sandra Rossouw]. Sarie Marais, 20(6): 146-148. September 25.
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| − | Henman, R.H. & Van Niekerk, G.T. 1967. Ecce homo! [passion play]. South African panorama, 12(4): 8-9. April.
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| − | Henry, William A III. 1994. Home is where the Art is: South African dissident Athol Fugard happily loses his great theme and sets his sights on a post-apartheid world. In: TIME Magazine, March 21, 1994: 20.
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| − | Herbst, Terry. 1998. Lengthy mirror of social ills in new SA hard to follow. In: EP Herald, July 4, 1998: 6. Journal for language teaching, 25(1): 28-35.
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| − | Herbst, Terry. 2003. Black satire on SA is realistic. In: EP Herald, July 10, 2003: 9.
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| − | Herbstein, Denis. 1978. White man, we want to talk to you. Harmondsworth, Penguin.
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| − | Hermer, M. 1952a. Bou van toneelsale in Suid-Afrika. Helikon, 1(4): 24-30. April.
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| − | Hermer, M. 1952b. Teater vir Aartjiesdaal. Helikon, 2(7):71-76. October.
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| − | Hermer, M. 1953a. Johannesburg repertory theatre. South African architectural record, 38(1): 20-27.
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| − | Hermer, M. 1953b. Teaterbou. Helikon, 2(12): 103-112. August.
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| − | Hermer, M. 1958. Bloemfontein’s civic theatre. Public works of South Africa, 18(171): 20-23. February.
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| − | Hermer, M. 1961. Johannesburg’s new theatre has been tailored–to-fit. Construction in Southen Africa, 6(4): 25-27.
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| − | Hermer, M. 1962. Civic Theatre, Johannesburg. South African architectural record, 47(11): 18-21.
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| − | Hermer, M. 1963. Civic Theatre, Johannesburg. Architect and builder, 13(1): 2-9.
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| − | Herrick, Dean 1942. Develop South Africa’s gold-mines of talent. Outspan. 32(808):35. August 21.
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| − | HERRINGTON, SANDRA. 1988. Performance Polemics in a Plural Society : South African Theatre in Transition. Unpublished Thesis M.A. University of Natal.
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| − | Herzberg, L. 1966. Mothercare: puppets for poppets. Fair lady, 2(8): 115. June 15.
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| − | Herzberg, L. 1976. Puppet as therapist, psychologist, and doctor. Artlook, 9(4): 19. August-September.
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| − | Herzberg, Lily 1991. The moving dolls. Animations, 14(5): 87-88.
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| − | Herzberg, Lily 1992. A Bushman legend in shadows. Animations, 15(2): 39-40.
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| − | Hesse, G.H. 1986. Die individu en die gemeenskap in P.G. du Plessis se Die nag van Legio en en Friedrich Dürrenmatt se Der besuch der alten Dame. Tydskrif vir letterkunde, 24 : 56-62.
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| − | Hesse, G.H. 1986. Die individu en die gemeenskap in P.G. du Plessis se Die nag van Legio en Durrenmatt se Der Besuch der alten Damen. Tydskrif vir letterkunde, 24(3) : 56-62.
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| − | Hesse, G.H. 1987. Die toeval: P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir letterkunde, 25: 38-42.
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| − | Hesse, G.H. 1989. Die groteske in die dramas van P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir letterkunde, 27(3): 90-97.
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| − | The Hexagon experimental theatre, University of Natal, Pietermaritzburg. 1978. Scenaria, (10) : 29-31.
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| − | Hey, Joy 1966. One kind of phoenix : the story of Peter Hey. Pietermaritzburg : Shuter and Shooter
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| − | Heyns, M.S. 1967. H.B. Thom-teater op Stellenbosch. Lantern, 17(2): 36-41.
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| − | HEYWOOD, C. (ed). 1974. Aspects of South African Literature. London: Heinemann
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| − | Higginson, Craig, Foanna Laurens, and Caridad Svich. "A Triangle of Thought."
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| − | Performance Research 9.1 (2004): 76-80.
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| − | Hill, Ronald 1965. Shame Theatre world, 61: 13-15.
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| − | Hirschson, P. 1994. The 25th Raps Schools Play Festival. Transvaal educational news, 92(3): 12-13.
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| − | History (The) of the State Theatre Pretoria. 1981. Scenaria, Special issue: 3-5.
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| − | Hlahla, Patrick. 2000. Exit, stage left ... sadly: No curtain call in sight as cabinet mothballs State Theatre. In: The Citizen, June 16, 2000: 1.
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| − | Hoegberg, David E. 1995-6. ‘Master Harold’ and the Bard: education and succession in Fugard and Shakespeare. Comparative drama, 29(3): 415-435.
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| − | HOERNLÉ, A. 1934. The Bantu Dramatic Society of Johannesburg. Africa 7: 223-227.
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| − | HOFFMAN, ARTHUR and ANNA ROMAIN. 1980. They Built a Theatre: The Story of the Johannesburg Repertory Society. Johannesbrug: Ad Donker.
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| − | Hoffman, Rosemary Ursula 1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg. Johannesburg: Johannesburg Public Library.
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| − | Holiday, A. (1998) ‘Forgiving and forgetting: the Truth and Reconciliation Commission’. In Nutall and Coetzee (Eds.) Negotiating the past. The making of memory in South Africa.Cape Town: Oxford University Press
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| − | Hollands, Glenn. 2002. Exploring xenophobia. In: The Daily Dispatch, July 4, 2002: 8.
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| − | Holloway, David 1979. Playing the Empire: the acts of the Holloway Touring Theatre Company. London: Harrap. pp. 64-93; 156-177
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| − | Holloway, Myles 1988. An interview with Zakes Mda, South African theatre journal, 2(2):81-8
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| − | Holloway, Myles 1989a. Discordant voices of a lived reality: Zakes Mda’s The Hill. South African theatre journal, 3(2):33-50.
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| − | Holloway, Myles 1989b. Social commentary and artistic mediation in Zakes Mda’s early plays. English Academy review, 6: 28-41.
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| − | Holloway, Myles 1992. The Crisis of Liberalism in South African Theatre. In: Westerley 3:41-47.
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| − | Holloway, Myles 1993. Creative co-operation: a critical survey of workshop theatre in South Africa, South African theatre journal, 7(1): 17-31.
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| − | Holloway, Myles 1997. Music Hall in Johannesburg: 1886 – 1896. South African theatre journal, 11(1&2): 15-53.
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| − | Holmes, J. 2002. ‘A world elsewhere’: Shakespeare in South Africa. Shakespeare survey, 55:271-284.
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| − | Homann, Greg 2009. Landscape and body. South African theatre journal, 23: 149-176.
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| − | Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with Athol Fugard. Theater magazine, 16(11): 32-39.
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| − | HOOKHAM, JOHN. 1991. We the rhino: Ethnographic aggies and the representation of the Bushmen. South African theatre journal, 5(1):24-34.
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| − | HOOKHAM, JOHN. 1993. The aesthetic sheen: Reflections on banality and grace in the films of Paul Schrader. South African theatre journal, 7(2):105-116.
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| − | Hope, Kim 2005. ‘I love you—you're my woman!’. Research in drama education, 10(2): 241-245.
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| − | Horn, Andrew 1985. Ideology and Melodramatic Vision in Black South Africa and Nineteenth Century America. English in Africa 12/1:1-10.
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| − | Horn, A. 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. English in Africa, 12(1) : 1-9.
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| − | Horn, Andrew 1986a. South African theatre; ideology and rebellion. Research in African literatures, 17 (2): 211-233.
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| − | Horn, Andrew 1986b. South African theatre; ideology and rebellion. In Barber, K. (ed.) Readings in African popular culture. Bloomington, Ind: Indiana University Press. P.73-80.
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| − | Horn, Andrew 1990. Introduction to Z.Mda The Plays of Zakes Mda. Johannesburg: Ravan Press.
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| − | Horn, Andreij. 1998. Breyten skok met seks op verhoog by fees. In: Die Burger, April 3, 1998: 1.
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| − | Horn, M. 1988. Theater as a weapon. U.S. news & world report, 105(1): 50.
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| − | Horn, Peter 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 115-131.
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| − | Horne, H. 2008. Kaburu: ‘n drama vir die verhoog, D. Opperman. Reviewed in: South African journal of cultural history, 22(2): 155-156.
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| − | Horne, Hannes 1978. Van dramateks tot toneelopvoering. Scenaria, June/July: 63-64.
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| − | Horne, Hannes 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste (SWARUK: 1966-1983). [The Performing Arts Council of South West Africa]. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 101-105.
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| − | HORNE, J [HANNES]. 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse Verhoogkuns. ("Anna Neethling-Pohl's contribution to the Afrikaans theatre") Unpublished M.A. Thesis, University of Pretoria.
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| − | Horne, Jacobus Johannes 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse verhoogkuns. Pretoria: Universiteit van Pretoria. (M A Thesis).
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| − | Horne, J.J. 1987. Anna Neethling-Pohl. Lantern, 36(1): 3-13.
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| − | Horner, David 1967. Speech and drama. Fiat lux, 2: 297-300.
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| − | Horner, D. 1972. Theatre in the hills. Fiat lux, 7(1): 27. February.
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| − | Horner, D. 1976. All the world’s a stage – so pity the poor player. Journal of the University of Durban-Westville, 2(4): 33-42.
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| − | HOUGH, B. 1981. Interview with Athol Fugard – Port Elizabeth, 30 November 1977. Theoria 55: 37-48.
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| − | Hough, B. 1979. Fugard’s Boesman and Lena in perspective. Crux, 13(1): 29-36.
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| − | Hough, B. 1985. Exit the king [Dawie Malan] De Kat, 1(2) : 95-98. August.
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| − | Hough, Barry. 1995. Fugard staan poedelnakend. Insig, 09/95: 43.
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| − | Hough, Barry. 1998. Soeke na ‘roots’ bring versoenende konfrontasie tussen swart en wit. In: Rapport, February 15, 1998: 28.
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| − | Hough, Barry. 1999. Waarheid wat spook in dié oorlogsdrama: Filmiese aanslag in Boere se ‘Gone With the Wind’. In: Rapport, October 3, 1999: 2.
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| − | Hough, Barry. 2000a. ‘n Renaissance in ons swart teater: Komeng oor manlike identiteit in stad. In: Rapport, July 16, 2000: 2.
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| − | Hough, Barry. 2000b. Van feeste alleen leef die kunste nie. In: Rapport, October 15, 2000: 1.
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| − | Houliston, Victor 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. Shakespeare in South Africa, 3: 67-77.
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| − | Howlett, Leslie 2002. A Midsummer Night's Dream. Shakespeare in Southern Africa, 14: 50
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| − | Huber, Werner 1989. Transformations of Beckett: the case of Athol Fugard.
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| − | Huggett, Richard, 1965. Touring the township. Plays and players, 12: 18-20.
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| − | Hugo, D.J. 1979. Warm patat [vwyk louw, oor drama?] Tydskrif vir letterkunde, 17(3): 61-67. ASugust.
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| − | Hugo, Daniel 1997. Die man wat vlug vir die Nobelprys: Gedagtes rondom Hugo Claus en sy besoek aan Suid-Afrika. South African theatre journal,11(1&2):286-288
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| − | Hugo Naudé-kleinteater. 1951. Brandwag, 15(32): 7. September 7.
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| − | Huguenet, André 1941. Vyftien jaar op die Afrikaanse toneel. Huisgenoot, 26(1023): 17. October 31.
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| − | Huguenet, André 1942a. Kry ons ‘n staatsteater? Huisgenoot, 26(1047): 21. April 17.
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| − | Huguenet, André 1942b. My 16 years of theatrical pioneering in South Africa. Outspan. 31(797):23-25. June 5.
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| − | Huguenet, André 1945a. Afrikaans theatre has come to stay: our efforts are now beginning to bear fruit. Outspan. 37(937): 20-21. February 9.
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| − | Huguenet, André 1945b.Afrikaanse beroepstoneel twintig jaar oud. Huisgenoot, 29(1192): 6. January 26.
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| − | Huguenet, André 1947a. Hamlet-triomf. Ruiter, 1(12): 24. July 25.
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| − | Huguenet, André 1947b. Ons maak ‘n begin : wat kan van die staatsteaterorganisasie verwag word? Huisgenoot, 32(1327): 20-21. August 29.
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| − | Huguenet, André 1948. Gee hulle die kans. [Nasionale teater]. Brandwag, 11(569): 7 August 27.
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| − | Huguenet, André 1950a. Applous! Die Kronieke van 'n Toneelspeler ("Applause! The Chronicles of an Actor"). Cape Town: HAUM.
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| − | Huguenet, André 1950b. In my time. Outspan, 47(1224): 39-43. August 11.
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| − | Huguenet, André 1953a. Ons toneel in perspektief. Helikon, 2(12): 93-97.
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| − | Huguenet, André 1953b. Rol wat ek die graagste gespeel het. Huisgenoot 38(1653): 18-21. November 27.
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| − | Huguenet, André 1954. Ons toneel in perspektief. Lantern, 4: 72-77.
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| − | Huguenet, André 1956a. Krisis in die Afrikaanse toneel. Huisgenoot, 40(1800). September 17.
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| − | Huguenet, André 1956b. Krisis in die Afrikaanse toneel. Huisgenoot, 40(1801). September 24.
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| − | Huguenet, André 1956c. Ons toneel in die smeltkroes. Helikon, 6(26): 47-57.
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| − | Huismans, E. 1974. Op ‘n hoop geknoop. Rooi rose, 30(24): 38-43. June 26. children’s plays.
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| − | Huismans, Anja & Finestone, Juanita 1995. Interview with Reza de Wet. South African theatre journal, 9(1):89-95.
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| − | Huismans, Anja & Finestone, Juanita 1999. Interview: exploring the masculine within. Contemporary theatre review, 9(1): 57.
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| − | Hulbert, Dan 1993. The artist and the city (South African playwright Athol Fugard). American theatre, 9(9): 18-23.
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| − | Human, J. 1950. Einde van die oujonkmansklub. [Hendrik en Mathilde Hanekom]. Huisgenoot 34(1471): 24-27. June 2.
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| − | Human, Thys & Strydom, Matty 2006. "En wie is 'ons' dan?": 'n bespreking van die stem wat aan die gehoor gegee word in 'Ek, Anna van Wyk' deur Pieter Fourie. Stilet, bladsye??
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| − | Hunt, Nigel 1989. South Africa for Canada. Theatrum, 15 : 13-17.
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| − | Hutchison, Yvette. 1995. Plays for young Africa, Volumes 1 and 2 (by Pieter Scholtz) (book review). SATJ 9/1: 126-128.
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| − | Hutchison, Yvette. 1996. Editorial – Theories of Drama, Theatre and Performance in Africa. SATJ 10/1: 1-2.
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| − | Hutchison, Yvette. 1996. Politics and Performance: Theatre, Poetry and Song in Southern Africa (by Liz Gunner) (book review). SATJ 10/1: 125-126.
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| − | Hutchison, Yvette. 1999. Black South African Women: an anthology of plays. (by Kathy A. Perkins) (book review). SATJ 13: 206-208.
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| − | Hutchison, Yvette. 2000. Athol Fugard: Township Plays, Port Elizabeth Plays and Interior Plays. (3 volumes re-published in 2000) (book review). SATJ 14: 225-229.
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| − | Hutchison, Yvette 1991. Playabout – ten one-act plays by Sue Scott and Patrick Delahunty. Reviewed in: South African theatre journal, 5(2): 113-115.
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| − | Hutchison, Yvette 1994a. Learning by performing arts: from indigenous to endogenous cultural development, by Kees Epskamp. Reviewed in: South African theatre journal, 8(1): 84-87.
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| − | Hutchison, Yvette 1994b. Masks today: mediators of a complex reality. South African theatre journal, 8(1): 45-62.
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| − | Hutchison, Yvette 1995a. African literature in South Africa: towards a renaissance conference by A. Huismans and R. Marais. Reviewed in: South African theatre journal, 9(1): 96-99.
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| − | Hutchison, Yvette 1995b. SCHOLTZ, PIETER. Plays for young Africa, Volumes 1 and 2 by Pieter Scholtz. Reviewed in: South African theatre journal, 9(1): 126-128.
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| − | Hutchison, Yvette 1996a. “Access to rather than ownership of”: South African theatre history and theory at a crossroads. South African theatre journal, 10(1): 35-47.
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| − | Hutchison, Yvette 1996b. Politics and performance: theatre, poetry and song in Southern Africa, by Liz Gunner. Reviewed in: South African theatre journal, 10(1): 125-126.
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| − | Hutchison, Yvette 1996c. Scars of conquest/masks of resistance : the invention of cultural identities in African, African-American and Caribbean drama by Tejumola O. Reviewed in: South African theatre journal, 10(1): 126-129.
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| − | Hutchison, Yvette 1996d. Theories of drama, theatre and performance in Africa (editorial). South African theatre journal, 10(1): 1-2.
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| − | Hutchison, Yvette 1997. Theatre and drama in francophone Africa, by John Conteh-Morgan. Reviewed in: South African theatre journal, 11(1&2): 290-292.
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| − | Hutchison, Yvette 1999a. Black South African women: an anthology of plays edited by Kathy A Perkins. Reviewed in: South African theatre journal, 13(1&2): 206-209.
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| − | Hutchison, Yvette 1999b. Memory is a weapon: the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Stellenbsosch: University of Stellenbosch. (D Phil (Dram) dissertation.) D Phil (Dram), US
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| − | Hutchison, Yvette 1999c. Present trends in South African theatre. In Smit, J.A. (ed.), The dancing dwarf from the land of spirits. Durban: CSSALL. p. 119-130.
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| − | Hutchison, Yvette 1999d. The seductive dance between history and literature: The Moremi legend by historian Samuel Johnson and playwrights Duro Ladipo and Femi Osofisan. South African theatre journal, 13(1&2): 32-47.
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| − | Hutchison, Yvette 2000. Township plays; Port Elizabeth plays; Interior plays, by Athol Fugard. Reviewed in: South African theatre journal, 14: 225-229.
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| − | Hutchison, Yvette 2002a. African theatre and the unmaking of colonial marginality by Bhekizizwe Peterson. Reviewed in South African theatre journal, 16: 244-247.
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| − | Hutchison, Yvette 2002b. Beyond the echoes of Soweto: five plays, by Matsemela Manaka; Born in the RSA: four workshopped plays by Barney Simon; Ubu and the Truth Commission by Jane Taylor. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 158-161.
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| − | Hutchison, Yvette 2003 "Barney Simon: Brokering Cultural Interventions."
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| − | Contemporary Theatre Review 13.3 (2003): 4-15.
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| − | Hutchison, Yvette 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In Banham, Martin, Gibbs, James & Osofisan, Ferni (eds). African theatre: Southern Africa. Oxford: James Currey. p. 51-67.
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| − | Hutchison, Yvette 2004b. South African theatre. In: Banham, Martin (ed). A history of theatre in Africa. Cambridge: Cambridge University Press. p. 312-379.
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| − | Hutchison, Yvette 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the Truth and Reconciliation Commission. Contemporary theatre review, 15:3. p. 354-362.
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| − | Hutchison, Yvette 2008. Theatre, performance and new media in Africa edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: South African theatre journal, 22: 210-211.
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
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| − | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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