Difference between revisions of "Alle Paaie gaan na Rome"
| (12 intermediate revisions by 3 users not shown) | |||
| Line 1: | Line 1: | ||
| − | ("All roads go to Rome") | + | ''[[Alle Paaie gaan na Rome]]'' ("All roads go to Rome") is an [[Afrikaans]] play one-act play by [[Uys Krige]][https://af.wikipedia.org/wiki/Uys_Krige]. |
| + | Often incorrectly referred to as ''[[Alle Paaie lei na Rome]]'', which is the literal [[Afrikaans]] translation of the saying "All roads lead to Rome". | ||
| + | |||
| + | For the collection of one-act plays with this title, see '''''[[Alle Paaie Gaan na Rome - Eenbedrywe]]''''' | ||
== The original text == | == The original text == | ||
| − | Set in Castelmanico, Italy, | + | Set in Castelmanico, Italy, the play draws on Krige’s war-time experiences, it is a play of great simplicity and humanity, an indictment of the senselessness of war. It tells the story of an Italian girl and her grandmother trying to deal with the traumatising murder of their family by the Nazis. The young girl has been struck dumb by the killing of her family and her grandmother fruitlessly seeks a lift from soldiers to take the stricken girl to a doctor in Rome. |
| + | |||
| + | Published in [[Afrikaans]] in the collection ''[[Alle Paaie Gaan na Rome - Eenbedrywe]]'' by [[Unie-Volkspers Beperk]] in 1949, and later in ''[[Woord en masker]]'' (1967) and in ''[[Vier Eenbedrywe]]'' (1968). | ||
| + | |||
| + | ==Translations and adaptations== | ||
| − | + | Translated into English by [[Uys Krige]] himself under the title ''[[All Roads Lead to Rome]]''. Published in English translation in the collection ''[[The Sniper and Other One-act Plays]]'' by [[HAUM]] in 1964. | |
| + | == Performance history in South Africa == | ||
| − | + | 1957: Performed by the [[Bellvillese Afrikaanse Toneelvereniging|B.A.T.]] on 30 October, directed by [[Marge Olivier]]. | |
| − | + | 1967: Performed in English as ''[[All Roads Lead to Rome]]'' [[CAPAB]]'s Theatre-Go-Round. | |
| − | == | + | == Sources == |
| − | + | [[ESAT Bibliography Gl-Go|Gosher]], 1988)** | |
| − | |||
| − | + | Go to [[ESAT Bibliography]] | |
== Return to == | == Return to == | ||
| − | |||
| − | Return to [[ | + | Return to [[PLAYS I: Original SA plays]] |
| + | |||
| + | Return to [[PLAYS II: Foreign plays]] | ||
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| + | |||
| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
| + | |||
| + | Return to [[South_African_Festivals|South African Festivals and Competitions]] | ||
| − | Return to [[ | + | Return to [[The ESAT Entries]] |
Return to [[Main Page]] | Return to [[Main Page]] | ||
Latest revision as of 11:13, 15 June 2023
Alle Paaie gaan na Rome ("All roads go to Rome") is an Afrikaans play one-act play by Uys Krige[1].
Often incorrectly referred to as Alle Paaie lei na Rome, which is the literal Afrikaans translation of the saying "All roads lead to Rome".
For the collection of one-act plays with this title, see Alle Paaie Gaan na Rome - Eenbedrywe
Contents
The original text
Set in Castelmanico, Italy, the play draws on Krige’s war-time experiences, it is a play of great simplicity and humanity, an indictment of the senselessness of war. It tells the story of an Italian girl and her grandmother trying to deal with the traumatising murder of their family by the Nazis. The young girl has been struck dumb by the killing of her family and her grandmother fruitlessly seeks a lift from soldiers to take the stricken girl to a doctor in Rome.
Published in Afrikaans in the collection Alle Paaie Gaan na Rome - Eenbedrywe by Unie-Volkspers Beperk in 1949, and later in Woord en masker (1967) and in Vier Eenbedrywe (1968).
Translations and adaptations
Translated into English by Uys Krige himself under the title All Roads Lead to Rome. Published in English translation in the collection The Sniper and Other One-act Plays by HAUM in 1964.
Performance history in South Africa
1957: Performed by the B.A.T. on 30 October, directed by Marge Olivier.
1967: Performed in English as All Roads Lead to Rome CAPAB's Theatre-Go-Round.
Sources
Gosher, 1988)**
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
