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| − | Click on the appropriate letter of the alphabet below to find the relevant list. | + | Click on the appropriate letters of the alphabet in the sub-list below. |
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | + | [[ESAT Bibliography A-Al|A-Al]] [[ESAT Bibliography Am-Ap|Am-Ap]] [[ESAT Bibliography Ar-Az|Ar-Az]] |
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| | + | To return to any other letter, click on the list below |
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| | + | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] |
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| | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] |
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| | + | Return to [[The ESAT Entries]] |
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| − | [[Aaron, G.]] 1984. [[Ken Leach]]. Fair lady, 19(5) : 12. February 22.
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| − | [[Abrahams, L]]. 1973. [[Athol Fugard]]. In [[Lennox-Short, Alan]]. English and South Africa. Cape Town: Nasou. p. 86-87.
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| − | [[Accone, Daryl]] 1991. The 1991 Grahamstown festival: an overview. South African theatre journal, 5(2): 92-103.
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| − | [[Accone, Darryl]] 1994. The Fringe should be festival’s razor. In: The Star, July 7, 1994: 2.
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| − | [[Accone, Darryl]] 1996. A gentle broom to sweep [[Pact]] clean. In: Sunday Independent, January 7, 1996: 4.
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| − | [[Accone, Darryl]] 2002. Transformation of Civic proof of Jay’s success. In: Sunday Independent, February 3, 2002: 11.
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| − | [[Accone, Darryl]] & [[MacLiam, Garalt]]. 2000. A true comedy of errors, ending in tragedy. In: The Star, June 21, 2000: 2.
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| − | Acoustic design for the [[Nico Malan theatre]]. 1972. Plan, 57(8): 34. August.
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| − | Acoustical design of the [[State Theatre Pretoria]]. 1981. Scenaria, Special issue: 53, 55.
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| − | Acoustical design of the [[Roodepoort civic theatre]]. 1981. Municipal engineer, 12(1): 99.
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| − | Acting is not all glamour. [[[Elizabeth Meyer]]]. 1964. Personality, 135-137. March 19.
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| − | Actors must be exciting. Scenaria interviews [[Louis van Niekerk]]. 1984. Scenaria, (46): 29-32.
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| − | [[Adams, Kendall A]]. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. TDR 43(2): 94-117.
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| − | [[Addison, C]]. 2002. Island encounters: intercultural communication in the Western literary tradition. Alternation: journal of the Centre for the Study of Southern African Literature and Languages, 9(1): 74-86.
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| − | [[Adler, Tony]] 1993. Return to Paton’s place.([[Alan Paton]]). American theatre, 10(7-8): 8-9.
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| − | [[Ahmed, J]]. 1990. Culture in South Africa: the challenge of transformation. In: de Kock, I & Press, K (eds.) Spring is Rebellious. Cape Town: Buchu Books. p. 121-125.
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| − | [[Adey, D]]., [[Beeton, R]]., [[Chapman, M]]. and [[Pereira, E]]. (eds) 1986. Companion to South African English literature. Johannesburg: Donker.
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| − | Afrikaans [[Equus]] 1978. Scenaria, February/March: 44.
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| − | Afrikaans stage. 1941. Forum, 3(41): 5. January 4.
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| − | Afrikaans stage. 1941 Forum, 3(44): 5. January 25.
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| − | Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4): 31-32. April 26.
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| − | Afrikaans urge towards local drama. 1942. Forum, 5(7): 19. March 16.
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| − | Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond.
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| − | Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6): 3.
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| − | Afrikaners is plesierig. [Literary criticism, [[André P. Brink]]]. 1974. Tydskrif vir geesteswetenskappe, 14: 217-218. September.
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| − | [[Ainslie, J]]. 1982. [[Fugard]] collection in the National English literary museum, Grahamstown. English in Africa, 9(2): 35-39.
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| − | [[Akerman, Anthony]] 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre quarterly, 7(28): 54-57.
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| − | [[Akerman, Anthony]] 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre quarterly 7 (28), 67-70.
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| − | [[Akerman, Anthony]] 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African theatre journal, 7(2): 117-131.
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| − | [[Akerman, Anthony]] 1995 The [[Road to Mecca]] in Mexico. South African theatre journal, 9(2):117-136.
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| − | [[Akerman, Anthony]] 1996. Theatre in exile. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 89-100.
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| − | [[Akerman, Anthony]] 1999. [[Antjie Krog]]’s pen spikes the rawest of nerves without turning to lead. In: The Sunday Independent, October 10, 1999: 11.
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| − | Akteur. 1981. My loopbaan, 32: 3-10.
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| − | Alex ’81 [theatrical company]. 1981. Scenaria, (24): 21-22.
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| − | [[Alexander, M]]. 1951. “Reps” producer traces story of the theatre. Childhood, 30(3): 20.
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| − | Alexander, Neville 1988.
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| − | [[Alexander, P]]. 2006. Globalization and new social identities: a jigsaw puzzle from Johannesburg. In Alexander, Peter, Dawson, Marcelle C. & Ichharam, Meera (eds.). Globalization and new identities. a view from the middle. Johannesburg: Jacana Media. p. 13-65.
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| − | All that glitters is not gold…: Mr Stockton Briggle and Clouds by Angela Godfrey. 1979. Scenaria, (11) : 21-22.
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| − | [[Allan, Jani]] 1980. 25 years of [[Maynardville]]. Scenaria, (16): 17-19.
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| − | [[Allen, Keith]] 1993. Getting the message across. Animations, 16(3): 15.
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| − | [[Allen, Vivien]] 1970. Pretoria theatre for children: a progress report. Lantern, 19(4): 28-31.
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| − | [[Allen, Vivien]] 1990. [[Du Val]] tonight! :the story of a showman. Worcester, England: Square One Publications.
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| − | [[Alvarez-Pereyre, Jacques]] 1984. Black committed theatre in South Africa. Commonwealth Essays and Studies (CE&S), 7 (1): 80-93.
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| − | [[Amato, Rob]] 1977. A Xhosa woman’s serious optimism. Speak 1(1): 14-17.
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| − | [[Amato, Rob]] 1984. [[Fugard]]’s confessional analysis: Master Harold… and the boys. In: Daymond, M.J., Jacobs, J.U. & Lenta, M. (eds) Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 198-214.
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| − | [[Amato, Rob]] 1988. The [[Baxter Theatre]] and [[Handspring Puppet Company]]’s production of A midsummer night’s dream at the Monument Theatre Grahamstown, July 1988. Shakespeare in Southern Africa, 2: 102-105.
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| − | [[Amato, Rob]]. 1991a. Stir It. The Weekly Mail. 14 February 1991.
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| − | [[Amato, Rob]]. 1991b. Stir It. The Weekly Mail. 21 February 1991.
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| − | [[Ambe, Hilarious]] 2000. Cultural production and strategies for conflict mediation: report on a Spring seminar on Robben Island. South African theatre journal, 14:218-223.
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| − | [[Amkpa A]]. 1999. Drama in South Africa and tropes of postcoloniality. Contemporary
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| − | theatre review, 9(3): 1.
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| − | Amstel Festival wrap-up. 1988. Scenaria, (88): 7-9.
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| − | The Amstel playwright of the year award 1978. 1978. Scenaria, (8) : 29.
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| − | Amstel playwright of the year award : 1986. 1986. Scenaria, (71) : 18.
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| − | Anastasia – last of the Romanovs? 1977. Scenaria, June/July: 33.
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| − | [[André Huguenet]] – the man. 1978. Scenaria, February/March: 21-22.
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| − | [[André Huguenet]]: thirty years of theatre. 1957. South African panorama, 1(8). March 28. Bladsye nie in Repertorium-inskr. Tydskrif nie in JSG
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| − | [[André P. Brink]] in gesprek met [[Abraham de Vries]]. 1972. In: Gesprekke met skrywers, deel 2. Kaapstad, Tafelberg. p. 1-26.
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| − | [[Andrew, A]]. 1951. Defects of the South African theatre. Trek, 15(2): 22-25.
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| − | [[Andrew, R.V.]] 1956. The achievement of the one-act play. Potchefstroom: PU vir CHO. (MA-thesis.)
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| − | [[Angove, Colleen]] 1986. Athol Fugard's portrayal of the Afrikaner. Potchefstroom: Potchefstroom University for Christian Higher Education. (M.A. thesis.)
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| − | [[Angove, Coleen]] 1987. The inescapable bond with a predetermined heritage: a phenomenon illustrated by representative characters from three Athol Fugard plays. Literator, 8(3): 1-11.
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| − | [[Angove, Coleen]] 1989. Afrikaner stereotypes and mavericks in selected [[Fugard]] plays. South African theatre journal, 3(1): 55-68.
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| − | [[Angove, Colleen]] 1992. Alternative theatre: reflecting a multi-racial South African society? Theatre research international 17(1): 39-45.
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| − | [[Anna Cloete]] : 50 jaar aktrise. 1985. Lantern 34(4) : 33-43.
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| − | [[Anna Neethling-Pohl]]. 1981. Scenaria, Special issue: 31.
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| − | [[Annamalai, S.]] 1992. Therukoothu – a traditional dance drama form as manifest in Natal since 1860. Durban: University Durban-Westville. (MA-thesis.)
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| − | Korrigeer:
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| − | Anonymous. 1994a. The latest from Ledwaba. In: City Press, April 24, 1994: 37.
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| − | Anonymous. 1994b. Slick, but naïve show a cut above the rest. In: Sunday Times, May 8, 1994: 18.
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| − | Anonymous. 1994c. Sello’s mission: Actor’s struggle to do justice to black lives. In: City Press, May 29, 1994: 29.
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| − | Anonymous. 1995a. Opperman se Donkerland opgevoer. In: Die Burger, November 8, 1995: 4.
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| − | Anonymous. 1995b. He forges art from anger. In: City Press, November 19, 1995: 25.
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| − | Anonymous. 1998. Pilgrimage to the future. In: The Star, July 9, 1998: 5.
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| − | Anonymous. 2003. New appointment at Durban Playhouse may cause drama. In: Sunday Independent, December 21, 2003: 11.
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| − | [[Anstey, Gillian]] 1995. A legend comes home to play. In: The Sunday Times, February 5, 1995: 20.
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| − | [[Anstey, Gillian]] 1996. The volk deserts the laager for some fun. In: The Sunday Times, April 7, 1996: 15.
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| − | [[Anstey, Gillian]] 1995. End in sight for SA arts councils. Sunday Times. 1995. datum onvolledig – elektroniese knipseldiens
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| − | [[Antonissen, Rob]] 1958. Kronieke: drie dramas – drie wêrelde. Standpunte, 12(1): 55-66.
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| − | [[Arendse, Michael]] 1999. Gordyn sak op die ou Nico. Insig, 03/99: 26.
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| − | Ariel in Africa: [[Leslie French]] and the Port Elizabeth Shakespearean Festival Onvolledig
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| − | [[Armistead, Claire]] 1990. Market values. Plays and players, (435): 14-16.
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| − | [[Armstrong, Elizabeth]] 1961. Pretoria theatre for children. Lantern, 11: 45-50.
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| − | Armstrong, M. 1973. A few teaching experiments. Transvaal educational news, 70(8): 12-14.
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| − | Armstrong, Linday 2003. "'[[Master Harold and the Boys]]' is masterful." New York
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| − | Amsterdam News 94.23 (2003): 21
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| − | Arthur, Michael and Arthur, Tom 1994. The 1994 Grahamstown Festival. South African theatre journal, 8(2): 163-183.
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| − | Arthur, Thomas H. & Arthur Michael D. 1993. The 1992 Grahamstown Festival. South African theatre journal, 7(1): 88-103.
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| − | Arthur, Thomas H. 1990. [[My children! My Africa!]] by [[Athol Fugard]]. Reviewed in Theatre journal, 42(2): 246-247.
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| − | Arthur, Thomas H. 1992 Looking for my relatives: the political implications of “family” in selected work by [[Athol Fugard]] and August Wilson. South African theatre journal, 6(2): 5-16.
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| − | Arvan, Maxine. 1985. The National Drama Library. In Temple Hauptfleisch (ed), The Breytie Book. Randburg: The Limelight Press. p. 113-114.
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| − | Asch, Leslee 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. American theatre, 22(5): 24`-27.
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| − | Astbury, Brian 1973. My vrou Yvonne. Sarie Marais, 24(28): 54-59. July 18.
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| − | Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.
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| − | Astbury, Brian 1980a. Irresistable force [[[Nomhle Nkonyeni]]]. Fair lady, 15(19): 46-51. March 26.
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| − | Astbury, Brian 1980. Rags to riches: [Rory and Cindy West]. Fair lady, 16(5): 122-124. October 8.
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| − | Astbury, Brian 1985. [[Janet Suzman]]’s greatest role. Fair lady, 20(8) : 98-100.
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| − | Athiemulam, V. 1984. Drama in language teaching. Journal of language teacing, 18(3) : 42-58.
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| − | Attridge, Derek & Jolly, Rosemary (eds) 1998. Writing South Africa: literature, apartheid and democracy, 1970-1995. Cambridge: Cambridge University Press.
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| − | Aucamp, H. 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). Klasgids, 18(3): 95-100.
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| − | Aucamp, H. 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). Klasgids, 18(2): 116-125.
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| − | Aucamp. Hennie 1990. Wat is ‘n klassieke kabaretlied ? Tydskrif vir letterkunde, 29(1) : 17-25.
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| − | Aucamp, Hendrik Christoffel Lourens 1982. Stank. Test, 1(1): 8.
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| − | Aucamp, Hennie 1994a. Diary of an erotic life by Frank Wedekind, edited by Gerhard Hay. Reviewed in: South African theatre journal, 8(2):191-198.
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| − | Aucamp, Hennie 1994. Die laaste wals, of kabaret as lewensgevoel. Tydskrif vir letterkunde, 32(1): 8-20.
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| − | Aucamp, Hennie. 1994. The Erotic Diaries of Frank Wedekind (Frank Wedekind; Diary of an Erotic Life). SATJ 8/1: 190-198.
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| − | Aucamp, Hennie 1994b. Dubbeldop: kabarettekste en -opstelle. Kaapstad: Human & Rousseau.
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| − | Aucamp, Hennie 1994c. Die sewe doodsondes in kabaretverband. South African theatre journal, 8(2): 5-25.
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| − | August, Tyrone 1994. Interview with [[Gcina Mhlophe]]. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 273-284.
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| − | Auld, Allen 2002. Macbeth: a comparison, directed by [[Garth Anderson]] for the Elizabeth Sneddon Theatre, February 2002; directed by Patrick Collyer of Kwasuka Theatre Company for the Dan Pienaar Hall, February/March 2002. Shakespeare in Southern Africa, 14: 52-55.
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| − | Automatic control in the [[Nico Malan theatre]]. 1971. Electronics and instrumentation, 2(5): 17. August.
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| − | Click on the appropriate letter of the alphabet below to find the relevant list.
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
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| − | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | |
