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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
 +
Return to [[The ESAT Entries]]
  
Arendse, Michael. 1999.  Gordyn sak op die ou Nico. Insig, (134): 26. Maart.
+
==The list==
  
Armistead, Claire 1990. Market values. Plays and players, (435): 14-16.
+
[[Michael Arendse|Arendse, Michael]]. 1999. Gordyn sak op die ou [[Nico Malan Theatre|Nico]]. ''Insig'', (134): 26. Maart.
  
Armstrong, Elizabeth 1961. Pretoria theatre for children. Lantern, 11: 45-50.
+
[[Claire Armistead|Armistead, Claire]] 1990. Market values. ''Plays and Players'', (435):14-16.
  
Armstrong, Linday 2003. "'Master Harold and the Boys' is masterful." New York
+
[[Elizabeth Armstrong|Armstrong, Elizabeth]] 1961. Pretoria theatre for children. ''Lantern'', 11:45-50.
Amsterdam News 94.23 (2003): 21
 
  
Armstrong, M. 1973. A few teaching experiments. Transvaal educational news, 70(8): 12-14.
+
[[M. Armstrong|Armstrong, M.]] 1973. A few teaching experiments. ''Transvaal Educational News'', 70(8):12-14.
  
Arthur, Michael D. 1993. The waiting is over: South African theatre of transition. Austin: University of Texas. (M.A. thesis).
+
Art is life and life is art: an interview with [[John Kani]] and [[Winston Ntshona]] of the [[Serpent Players]], South Africa. 1976. ''Ufahamu: Journal of the African Activist Association'', 6(2):5-26.
  
Arthur, Michael D. and Arthur, Tom 1994. The 1994 Grahamstown Festival. South African theatre journal,  8(2): 163-183.
+
[[Michael D. Arthur|Arthur, Michael D.]] 1993. The waiting is over: South African theatre of transition. Unpublished master’s thesis. Austin: University of Texas.
 +
 +
[[Michael D. Arthur|Arthur, Michael D.]] and [[Tom Arthur|Arthur, Tom]] 1994. The 1994 [[Grahamstown Festival]]. ''[[South African Theatre Journal]]'',  8(2):163-183.
  
Arthur, Michael D.1999a. Gay theatres in South Africa Peter Hayes, Pogiso Mogwera, and Jay Pather. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 147153.
+
[[Michael D. Arthur|Arthur, Michael D.]] 1999a. Gay theatres in South Africa: [[Peter Hayes]], [[Pogiso Mogwera]], and [[Jay Pather]], in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 147-153.
  
Arthur, Michael D. 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank National Arts Festival 1992-1996. Austin: University of Texas. (Ph.D. thesis).
+
[[Michael D. Arthur|Arthur, Michael D.]] 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank [[National Arts Festival]] 1992-1996. Unpublished doctoral dissertation. Austin: University of Texas.
 +
 +
[[Thomas H. Arthur|Arthur, Thomas H.]] & [[Michael D. Arthur|Arthur Michael D.]] 1993. The 1992 [[Grahamstown Festival]]. ''[[South African Theatre Journal]]'', 7(1):88-103.
  
Arthur, Thomas H. & Arthur Michael D. 1993. The 1992 Grahamstown Festival. South African theatre journal, 7(1): 88-103.
+
[[Thomas H. Arthur|Arthur, Thomas H.]] 1990. ''[[My Children! My Africa!]]'' by [[Athol Fugard]]. Reviewed in ''Theatre Journal'', 42(2):246-247.
  
Arthur, Thomas H. 1990. My children! My Africa! by Athol Fugard. Reviewed in Theatre journal, 42(2): 246-247.
+
[[Thomas H. Arthur|Arthur, Thomas H.]] 1992 Looking for my relatives: The political implications of “family” in selected work by [[Athol Fugard]] and [[August Wilson]]. ''[[South African Theatre Journal]]'', 6(2):15-16.
  
Arthur, Thomas H. 1992 Looking for my relatives: the political implications of “family” in selected work by Athol Fugard and August Wilson. South African theatre journal, 6(2): 5-16.
+
[[Maxine, Arvan|Arvan, Maxine]] 1985. The [[National Drama Library]], in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 113-114.
  
Arvan, Maxine 1985. The National Drama Library. In Temple Hauptfleisch (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 113-114.
+
[[Leslee Asch|Asch, Leslee]] 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. ''American Theatre'', 22(5):24-27.
  
Asch, Leslee 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. American theatre, 22(5): 24-27.
+
Asein, Samuel Omo 1980. The humanism of [[Ezekiel Mphahlele]]. ''Journal of Commonwealth Literature'', 15:38-49.
  
Astbury, Brian 1973. My vrou Yvonne. Sarie Marais, 24(28): 54-59. July 18.
+
[[Brian Astbury|Astbury, Brian]] 1973. My vrou Yvonne ([[Yvonne Bryceland]]). ''Sarie Marais'', 24(28):54-59. July 18.
  
Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.
+
[[Brian Astbury|Astbury, Brian]] 1979. ''The Space/Die Ruimte/Indawo''. Cape Town: Moira and Azriel Fine.
  
Astbury, Brian 1980a. Irresistable force [Nomhle Nkonyeni]. Fair lady, 15(19): 46-51. March 26.
+
[[Brian Astbury|Astbury, Brian]] 1980a. Irresistable force ([[Nomhle Nkonyeni]]). ''Fair Lady'', 15(19):46-51. March 26.
  
Astbury, Brian 1980b. Rags to riches: [Rory and Cindy West]. Fair lady, 16(5): 122-124. October 8.
+
[[Brian Astbury|Astbury, Brian]] 1980b. Rags to riches: ([[Rory West]] and [[Cindy West]]). ''Fair Lady'', 16(5):122-124. October 8.
  
Astbury, Brian 1985. Janet Suzman’s greatest role. Fair lady, 20(8) : 98-100.
+
[[Brian Astbury|Astbury, Brian]] 1985. [[Janet Suzman]]’s greatest role. ''Fair Lady'', 20(8):98-100.
  
Athiemulam, V. 1984. Drama in language teaching. Journal of language teacing, 18(3) : 42-58.
+
[[Brian Astbury|Astbury, Brian]] 2011. ''Trusting the actor''. [http://www.wix.com/anairb/trusting-the-actor]
  
Athol Fugard: an interview. 1984. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 22-28.
+
At the [[Jewish Guild]]. 1929. ''Footlights'', 1(4):17.
  
Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: literature, apartheid and democracy, 1970-1995. Cambridge: Cambridge University Press.  
+
[[V. Athiemulam|Athiemulam, V.]] 1984. Drama in language teaching. ''Journal of Language Teaching'', 18(3) :42-58.
  
Attwell, Eric 1993. Port Elizabethse operahuis : die eerste 100 jaar. Afrikaanse vertaling: Rian Badenhorst en Hester Stegmann.
+
[[Athol Fugard]] 1983. ''Contemporary Literary Criticism'', 25:173-178.
  
Aucamp, Hendrik Christoffel Lourens 1982. Stank. Test, 1(1): 8.
+
[[Athol Fugard]]: an interview. 1984. In [[Margaret J. Daymond|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] (eds.). 1984. ''Momentum: On Recent South African Writing''. Pietermaritzburg: University of Natal Press.  22-28.
  
Aucamp. Hennie 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). Klasgids, 18(3): 95-100.
+
[[Athol Fugard]] and the South African 'workshop' play, in Crow, Brian 1996. ''An Introduction to Post-Colonial Theatre''. Cambridge: Cambridge University Press. 96-111.
  
Aucamp. Hennie 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). Klasgids, 18(2): 116-125.
+
Attree, L. 2010. Women writing AIDS in South Africa and Zimbabwe, in Dodgson-Katiyo, Pauline and  Wisker, Gina (editors) ''Rites of Passage in Postcolonial Women's Writing''. Amsterdam, Netherlands: Rodopi. 65-90.
  
Aucamp. Hennie 1990. Wat is ‘n klassieke kabaretlied ? Tydskrif vir letterkunde, 29(1) : 17-25.
+
[[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). 1998. ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press.  
  
Aucamp, Hennie 1994a. Diary of an erotic life by Frank Wedekind, edited by Gerhard Hay. Reviewed in:  South African theatre journal, 8(2):191-198.
+
[[Eric Attwell|Attwell, Eric]] 1992. ''Port Elizabeth Opera House: The First 100 Years''. Cape Town: Cape Performing Arts Board.
  
Aucamp, Hennie 1994b. Dubbeldop: kabarettekste en -opstelle. Kaapstad: Human & Rousseau.
+
[[Aubrey Sekhabi]]: drama 1998. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 116-117.
  
Aucamp, Hennie 1994c. Die laaste wals, of kabaret as lewensgevoel. Tydskrif vir letterkunde, 32(1): 8-20.
+
[[Hennie Aucamp|Aucamp, Hennie]] 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). ''Klasgids'', 18(3):95-100.
  
 +
[[Hennie Aucamp|Aucamp, Hennie]] 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). ''Klasgids'', 18(2):116-125.
  
Aucamp, Hennie 1994d. Die sewe doodsondes in kabaretverband. South African theatre journal, 8(2): 5-25.
+
[[Hennie Aucamp|Aucamp, Hennie]] 1990. Wat is ‘n klassieke kabaretlied ? ''[[Tydskrif vir Letterkunde]]'', 29(1):17-25.
  
August, Tyrone 1994. Interview with Gcina Mhlophe. In Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 273-284.
+
[[Hennie Aucamp|Aucamp, Hennie]] 1994a. ''Diary of an erotic life'' by [[Frank Wedekind]], edited by [[Gerhard Hay]]. Reviewed in:  ''[[South African Theatre Journal]]'', 8(2):191-198.
 +
 
 +
[[Hennie Aucamp|Aucamp, Hennie]] 1994b. ''Dubbeldop: Kabarettekste en -opstelle''. Kaapstad: Human & Rousseau.
 +
 
 +
[[Hennie Aucamp|Aucamp, Hennie]] 1994c. Die laaste wals, of kabaret as lewensgevoel. ''[[Tydskrif vir Letterkunde]]'', 32(1):8-20.
 +
 
 +
[[Hennie Aucamp|Aucamp, Hennie]] 1994d. Die sewe doodsondes in kabaretverband. ''[[South African Theatre Journal]]'', 8(2):5-25.
 +
 
 +
[[Tyrone August|August, Tyrone]] 1990. Interview with [[Gcina Mhlope|Gcina Mhlophe]]. ''Journal of Southern African Studies'', 16(2):329-335.
 +
 
 +
[[Tyrone August|August, Tyrone]] 1994. Interview with [[Gcina Mhlope|Gcina Mhlophe]],in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. p. 273-284.
 +
 
 +
August, Tyrone. (1990) 'Interview with Gcdna Mhlophe', Journal of Southern African Studies,Vol. 16, No. 2, pp. 329-335
 +
 
 +
[[Allen Auld|Auld, Allen]] 2002. ''Macbeth'': a comparison, directed by [[Garth Anderson]] for the [[Elizabeth Sneddon Theatre]], February 2002; directed by [[Patrick Collyer]] of [[Kwasuka Theatre Company]] for the [[Dan Pienaar Hall]], February/March 2002. ''Shakespeare in Southern Africa'', 14:52-55.
 +
 
 +
Automatic control in the [[Nico Malan Theatre]]. 1971.  ''Electronics and Instrumentation'', 2(5): 17. August
 +
 
 +
Ayling, Ronald 2000. [[André P. Brink|André Brink]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 42-72.
  
Auld, Allen 2002. Macbeth: a comparison, directed by Garth Anderson for the Elizabeth Sneddon Theatre, February 2002; directed by Patrick Collyer of Kwasuka Theatre Company for the Dan Pienaar Hall, February/March 2002. Shakespeare in Southern Africa, 14: 52-55.
 
  
Automatic control in the Nico Malan theatre. 1971.  Electronics and instrumentation, 2(5): 17. August.
 
  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 +
 +
Return to [[The ESAT Entries]]

Latest revision as of 18:44, 12 February 2024

Click on the appropriate letters of the alphabet in the sub-list below.

A-Al Am-Ap Ar-Az

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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The list

Arendse, Michael. 1999. Gordyn sak op die ou Nico. Insig, (134): 26. Maart.

Armistead, Claire 1990. Market values. Plays and Players, (435):14-16.

Armstrong, Elizabeth 1961. Pretoria theatre for children. Lantern, 11:45-50.

Armstrong, M. 1973. A few teaching experiments. Transvaal Educational News, 70(8):12-14.

Art is life and life is art: an interview with John Kani and Winston Ntshona of the Serpent Players, South Africa. 1976. Ufahamu: Journal of the African Activist Association, 6(2):5-26.

Arthur, Michael D. 1993. The waiting is over: South African theatre of transition. Unpublished master’s thesis. Austin: University of Texas.

Arthur, Michael D. and Arthur, Tom 1994. The 1994 Grahamstown Festival. South African Theatre Journal, 8(2):163-183.

Arthur, Michael D. 1999a. Gay theatres in South Africa: Peter Hayes, Pogiso Mogwera, and Jay Pather, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 147-153.

Arthur, Michael D. 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank National Arts Festival 1992-1996. Unpublished doctoral dissertation. Austin: University of Texas.

Arthur, Thomas H. & Arthur Michael D. 1993. The 1992 Grahamstown Festival. South African Theatre Journal, 7(1):88-103.

Arthur, Thomas H. 1990. My Children! My Africa! by Athol Fugard. Reviewed in Theatre Journal, 42(2):246-247.

Arthur, Thomas H. 1992 Looking for my relatives: The political implications of “family” in selected work by Athol Fugard and August Wilson. South African Theatre Journal, 6(2):15-16.

Arvan, Maxine 1985. The National Drama Library, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 113-114.

Asch, Leslee 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. American Theatre, 22(5):24-27.

Asein, Samuel Omo 1980. The humanism of Ezekiel Mphahlele. Journal of Commonwealth Literature, 15:38-49.

Astbury, Brian 1973. My vrou Yvonne (Yvonne Bryceland). Sarie Marais, 24(28):54-59. July 18.

Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.

Astbury, Brian 1980a. Irresistable force (Nomhle Nkonyeni). Fair Lady, 15(19):46-51. March 26.

Astbury, Brian 1980b. Rags to riches: (Rory West and Cindy West). Fair Lady, 16(5):122-124. October 8.

Astbury, Brian 1985. Janet Suzman’s greatest role. Fair Lady, 20(8):98-100.

Astbury, Brian 2011. Trusting the actor. [1]

At the Jewish Guild. 1929. Footlights, 1(4):17.

Athiemulam, V. 1984. Drama in language teaching. Journal of Language Teaching, 18(3) :42-58.

Athol Fugard 1983. Contemporary Literary Criticism, 25:173-178.

Athol Fugard: an interview. 1984. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 22-28.

Athol Fugard and the South African 'workshop' play, in Crow, Brian 1996. An Introduction to Post-Colonial Theatre. Cambridge: Cambridge University Press. 96-111.

Attree, L. 2010. Women writing AIDS in South Africa and Zimbabwe, in Dodgson-Katiyo, Pauline and Wisker, Gina (editors) Rites of Passage in Postcolonial Women's Writing. Amsterdam, Netherlands: Rodopi. 65-90.

Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press.

Attwell, Eric 1992. Port Elizabeth Opera House: The First 100 Years. Cape Town: Cape Performing Arts Board.

Aubrey Sekhabi: drama 1998. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 116-117.

Aucamp, Hennie 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). Klasgids, 18(3):95-100.

Aucamp, Hennie 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). Klasgids, 18(2):116-125.

Aucamp, Hennie 1990. Wat is ‘n klassieke kabaretlied ? Tydskrif vir Letterkunde, 29(1):17-25.

Aucamp, Hennie 1994a. Diary of an erotic life by Frank Wedekind, edited by Gerhard Hay. Reviewed in: South African Theatre Journal, 8(2):191-198.

Aucamp, Hennie 1994b. Dubbeldop: Kabarettekste en -opstelle. Kaapstad: Human & Rousseau.

Aucamp, Hennie 1994c. Die laaste wals, of kabaret as lewensgevoel. Tydskrif vir Letterkunde, 32(1):8-20.

Aucamp, Hennie 1994d. Die sewe doodsondes in kabaretverband. South African Theatre Journal, 8(2):5-25.

August, Tyrone 1990. Interview with Gcina Mhlophe. Journal of Southern African Studies, 16(2):329-335.

August, Tyrone 1994. Interview with Gcina Mhlophe,in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 273-284.

August, Tyrone. (1990) 'Interview with Gcdna Mhlophe', Journal of Southern African Studies,Vol. 16, No. 2, pp. 329-335

Auld, Allen 2002. Macbeth: a comparison, directed by Garth Anderson for the Elizabeth Sneddon Theatre, February 2002; directed by Patrick Collyer of Kwasuka Theatre Company for the Dan Pienaar Hall, February/March 2002. Shakespeare in Southern Africa, 14:52-55.

Automatic control in the Nico Malan Theatre. 1971. Electronics and Instrumentation, 2(5): 17. August

Ayling, Ronald 2000. André Brink, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 42-72.


Click on the appropriate letters of the alphabet in the sub-list below.

A-Al Am-Ap Ar-Az

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Return to The ESAT Entries