Difference between revisions of "The Middy Ashore"
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| − | by Bayle Bernard. | + | ''[[The Middy Ashore]]'' is a farce by William Bayle Bernard (1807 –1875)[http://en.wikipedia.org/wiki/William_Bayle_Bernard]. |
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| − | + | (The play sometimes wrongly named '''''[[The Midday Ashore]]''''') | |
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| + | == The original text == | ||
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| + | First produced at the Theatre Royal Lyceum, May 23, 1836, and the performance text printed , with ''[[Matteo Falcone]]'' , by John Dicks, 313 Strand, London 313. | ||
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| + | ==Translations and adaptations== | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | 1851 Performed by the [[New English Theatrical Company]] in the [[Drury Lane Theatre]], as afterpiece to ''[[The King's Command]]'' (Thompson). | + | 1851 Performed by the [[New English Theatrical Company]] in the [[Drury Lane Theatre]], Cape Town, as afterpiece to ''[[The King's Command]]'' (Thompson). |
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| + | 1861: Performed by [[Sefton Parry]] and his company in the [[Theatre Royal]], Harrington Street, Cape Town, on 29 July, as afterpiece to ''[[Little Bo-Peep, or Harlequin and the Little Girl who Lost her Sheep]]'' (Baldwin) | ||
| − | + | 1876: Performed by the [[Disney Roebuck]] company, under the temporary management of [[C. Wiltstone]], in the [[Theatre Royal]], Burg Street, Cape Town, on 24 August, as afterpiece to ''[[The Bottle, or The Drunkard's Doom]]'' (Taylor) | |
== Sources == | == Sources == | ||
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| − | [ | + | Google Books:''The Midday Ashore''[http://books.google.co.za/books/about/The_Midday_Ashore.html?id=Abr3NAAACAAJ&redir_esc=y] |
| − | Go to [[ | + | Internet Archive: Full text of "The middy ashore, and Matteo Falcone" [http://archive.org/stream/middyashoreandma00bernuoft/middyashoreandma00bernuoft_djvu.txt] |
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| + | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp.420. | ||
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| + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.98, 342 | ||
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| + | Go to [[ESAT Bibliography]] | ||
== Return to == | == Return to == | ||
| − | Return to [[ | + | Return to [[PLAYS I: Original SA plays]] |
| + | |||
| + | Return to [[PLAYS II: Foreign plays]] | ||
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| + | Return to [[PLAYS III: Collections]] | ||
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| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
| − | Return to [[ | + | Return to [[South_African_Festivals|South African Festivals and Competitions]] |
Return to [[The ESAT Entries]] | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Latest revision as of 05:31, 14 September 2020
The Middy Ashore is a farce by William Bayle Bernard (1807 –1875)[1].
(The play sometimes wrongly named The Midday Ashore)
Contents
The original text
First produced at the Theatre Royal Lyceum, May 23, 1836, and the performance text printed , with Matteo Falcone , by John Dicks, 313 Strand, London 313.
Translations and adaptations
Performance history in South Africa
1851 Performed by the New English Theatrical Company in the Drury Lane Theatre, Cape Town, as afterpiece to The King's Command (Thompson).
1861: Performed by Sefton Parry and his company in the Theatre Royal, Harrington Street, Cape Town, on 29 July, as afterpiece to Little Bo-Peep, or Harlequin and the Little Girl who Lost her Sheep (Baldwin)
1876: Performed by the Disney Roebuck company, under the temporary management of C. Wiltstone, in the Theatre Royal, Burg Street, Cape Town, on 24 August, as afterpiece to The Bottle, or The Drunkard's Doom (Taylor)
Sources
Google Books:The Midday Ashore[2]
Internet Archive: Full text of "The middy ashore, and Matteo Falcone" [3]
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [4]: pp.420.
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.98, 342
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
