Difference between revisions of "J.A. Rouvière"

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(17**-18**) A watchmaker and one of the leading members of the French cultural movement in the Cape in the early 19th century. He possibly arrived and settled in Cape Town some time after 1807, and soon became an informed member of the cultural elite in Cape Town, a friend of [[C.E. Boniface]] and a strong supporter of Dutch aspirations and theatres. In his case he apparently went on to create something of a theatrical dynasty, with the names [[C.A Rouvière]], [[L.A. Rouvière]] and [[J.P. Rouvière]] featuring as dancers and performers in Dutch productions ''circa'' 1825.
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[[J.A. Rouvière]] (17**-18**) was a watchmaker and dealer in French goods, and one of the leading members of the French and later [[Dutch]] cultural movement in the Cape in the early 19th century.
  
His name first appears as actor in 1809, related to a production by [[C.E. Boniface]] (''[[Les Plaideurs]]'' by Racine and ''[[Le Derviche]]'' by De Saint-Foix, 22 February, 1809).  
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Also known as [[A. Rouvière]] according to [[F.C.L. Bosman]] (1928: p. 129).
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== Biography ==
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He possibly arrived and settled in Cape Town some time after 1807, setting up a shop at 38 Hout Street (sometimes listed as 33 Loop Street). He soon became an informed member of the cultural elite in Cape Town, apparently knowing everyone and everything. He was a  friend of [[C.E. Boniface]] and went on to become a strong supporter of [[Dutch]] aspirations and Dutch theatre. In his case he appears to have created something of a theatrical dynasty, with the names [[C.A. Rouvière]], [[L.A. Rouvière]] and [[J.P. Rouvière]] featuring as dancers and performers in Dutch productions ''circa'' 1825.
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He (and his family?) seemingly left the Cape in August 1826, because of his wife's ill-health, and settled in the Karoo town of Graaff-Reinet.
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== His contribution to South African theatre and performance ==
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His own name first appears as actor as early as 22 February, 1809, in a French production by [[C.E. Boniface]] of ''[[Les Plaideurs]]'' by Racine and ''[[Le Derviche]]'' by De Saint-Foix
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His shop also served as a ticket office for theatre productions, ''inter alia'' those of [[Honi Soit Qui Mal Y Pense]].
  
 
== Sources ==
 
== Sources ==
  
Bosman, 1928: p 84, 122295-
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[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 84, 122-129, 174, 275, 281, 298, 376-377.
  
Go to [[South African Theatre/Bibliography]]
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Go to [[ESAT Bibliography]]
  
 
== Return to ==
 
== Return to ==
  
Return to [[ESAT Personalities R]]
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Return to [[ESAT Personalities R]]
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
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Return to [[Main Page]]
 
Return to [[Main Page]]
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Latest revision as of 05:01, 24 August 2016

J.A. Rouvière (17**-18**) was a watchmaker and dealer in French goods, and one of the leading members of the French and later Dutch cultural movement in the Cape in the early 19th century.

Also known as A. Rouvière according to F.C.L. Bosman (1928: p. 129).

Biography

He possibly arrived and settled in Cape Town some time after 1807, setting up a shop at 38 Hout Street (sometimes listed as 33 Loop Street). He soon became an informed member of the cultural elite in Cape Town, apparently knowing everyone and everything. He was a friend of C.E. Boniface and went on to become a strong supporter of Dutch aspirations and Dutch theatre. In his case he appears to have created something of a theatrical dynasty, with the names C.A. Rouvière, L.A. Rouvière and J.P. Rouvière featuring as dancers and performers in Dutch productions circa 1825.

He (and his family?) seemingly left the Cape in August 1826, because of his wife's ill-health, and settled in the Karoo town of Graaff-Reinet.

His contribution to South African theatre and performance

His own name first appears as actor as early as 22 February, 1809, in a French production by C.E. Boniface of Les Plaideurs by Racine and Le Derviche by De Saint-Foix.

His shop also served as a ticket office for theatre productions, inter alia those of Honi Soit Qui Mal Y Pense.

Sources

F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 84, 122-129, 174, 275, 281, 298, 376-377.

Go to ESAT Bibliography

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